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Umělec 3/2000

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Tomodachi no Uranchan (Přátelé Uranové dívky) | japonsko | 01.03.2000

PŘÍBĚH KAMENRIDERA

	Tomáš Lahoda \| architecture \| 01.03.2000
	HOTEL PRAHA
	Everybody from time to time encounters something that could qualify as “ugly” in a peculiar way, and yet it remains persistently fascinating and paradoxically attractive. Such feelings strike you immediately upon entering the semicircular staircase descending under the colossal circle-cluster of shining glass stalactites in the lobby of Hotel Praha. “Sometimes something can look beautiful just…

	Lenka Lindaurová \| new faces \| 01.03.2000
	KRIS DE SMEDT
	Born in 1977 in Belgium, de Smedt studied photography at the University of Gent. He currently studies at the Prague Film Academy of Performing Arts. Inspired by film and advertising, Kris de Smedt’s photographs act as icons for the 21st century, as pictures from another world. They cast a decadent impression of time fracturing, an atmosphere of exclusiveness, separateness. Costumed figures…

	Lenka Lindaurová \| new faces \| 01.03.2000
	JANA KALINOVÁ
	Born in 1978, Kalinová currently studies at Peter Rónai’s Intermedia and Conceptual Tendencies Studio at the Fine Arts Faculty at the Technical College in Brno. Originally trained as a painter, Jana Kalinová focuses on conceptual objects, which seem almost to fall from her hands. Their striking creative and ironic nature makes them stand out among works by other young artists. Her objects give…

	Vladimir Skalnikov \| review \| 01.03.2000
	HANDS IN MY POCKETS
	Martin Zet is the most well-known Czech artist in Russia at the moment, right after Kupka. A number of exhibitions in Moscow and St. Petersburg and long-term friendly relations with his Russian counterparts have enabled him to settle perfectly into the local artistic climate—into the background of continuous quarrels about your own civilizing identity, about whether to become a part of the…

	Lenka Lindaurová \| review \| 01.03.2000
	LET’S GO TO THE POST OFFICE
	What happens to art when it is exhibited is clear: it is as if it speaks different languages in different contexts, depending on the space and time of presentation, depending on what it is being confronted with. The context determines whether what we call art is strong, effective or whether, as it is said, it works. What is true for one place and time is not for another. I’m not sure whether it…

	Ada Krnáčová-Gutleber \| review \| 01.03.2000
	THE END OF THE WORLD WITH A QUESTION MARK
	The newly renovated Kinski Palace on Prague’s Old Town Square, the headquarters of the National Gallery, has just recently opened an exhibition entitled The End of the World? General Director Milan Knížák conceived and curated the exhibition, and every critic that decides to write about it will probably run into the same problem. From what viewpoint should you evaluate an exhibition that within…

Richard Gregor | recenze | 01.03.2000

Turista studené války | cestování | 01.03.2000

BARNEY W. GREINKE

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Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.
“	Enlightenment is always late.