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Umělec 5-6/1999

	Zeitschrift Umělec Ročník 1999, 5-6 2,50 EUR 3 USD
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	Tomáš Pospiszyl \| africa \| 01.05.1999
	HELL’S CONQUEROR
	If we get sick of Western art, we might take a look at Africa for a change and refreshment. Africa is a lucky continent as they don’t have museums of contemporary art there with the exception of a few places. African art’s advantage is that there is no market as we it from so called developed world. This developed market is, however, trying to find its ways to the black continent. We do hear…

	Keiko Sei \| focus \| 01.05.1999
	ANGER AND APPROPRIATION
	"Anger interests me. Probably because it reveals not-masked part of people. And probably because I grew up in a Southern tropical island where people are known to have “healthy mind“, and I had never seen any anger in their society. Anger interests me more when it turns into some product but a weapon; an art work, a song, a theory, etc. Here I take three examples of angry products.1988In the…

	Karel Císař \| foto \| 01.05.1999
	STAR DUST BRIDGET SMITH IN WINDOW GALLERY

	Lenka Lindaurová \| sizilien \| 01.05.1999
	BEFORE THE EXTRATERRESTRIALS COME

	Otto M. Urban \| anarchie \| 01.05.1999
	ALFRED KUBIN - A FEW NOTES INSPIRED BY THE EXHIBITION
	One of the oldest preserved works by Alfred Kubin (1877 - 1959) dates back to 1883. The pencil drawing is entitled Magician - the six year-old Kubin depicted a witch gathering full of levitating demons, bats, snakes, skeletons, even a coffin, a royal crown, military medals, and bishop’s staff, etc. The technical aspect of the work does not surprise one very much as it corresponds with Kubin’s age…

	Jekatěrina Djogoťová \| russia \| 01.05.1999
	1990S: CATASTROPHE AND HEDONISM
	The 1990s in the Russian art scene seem like one never-ending decline. No activity lasted more than two seasons (either due to lack of money, a ban or inability of the organizers). That what survived - rely ng on the state or Western grants - soon began to reveal the nakedness of its intellectual incapacity. Those events turned into bureaucratic feed-racks of the Soviet model whose one and only…

	Vladimír Salnikov \| russia \| 01.05.1999
	WORK OF ART AND THE ARTIST IN THE 1990S

Jiří David | letter | 01.05.1999

DOPIS OD JIŘÍHO DAVIDA

	Lenka Lindaurová \| vorgestellt \| 01.05.1999
	TOMÁŠ SVOBODA

	Františka a Tim Gilman-Ševčík \| new york \| 01.05.1999
	AMERICAN GLAMORAMA
	"The long, cold shadow of Draconian mayor Rudolph Giuliani crept over New York City and changed the mean streets forever. In the five years that the city has squirmed under his fist, crime has practically disappeared, along with all of the criminals; homelessness has almost disappeared, along with the homeless. The independent coffee shops and diners that pepper the city streets are being…

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