Umělec 3/2002 List of all editions.
Umělec magazine
Ročník 2002, 3
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informace | 01.03.2002
KAREL CÍSAŘ: LONDÝN
Vladan Šír | informace | 01.03.2002
CENA CHALUPECKÉHO
The art of navigation in cyberspace Bodil Hovaldt Bojer | media | 01.03.2002
THE ART OF NAVIGATION IN CYBERSPACE
"“So art [...] apparently exits the real world to re-emerge in the space beyond the screen, the realm of information, a space of shadows, ghosts, dreams and reflections, but also a space of cold data where soft structures turn into hard facts in the real world.”Jeremy Welsh1The Internet is American artist and software designer Mark Napier’s medium. The creator of the award-winning website…
Shadow plays in Linz (Ars electronica) Denisa Kera | media | 01.03.2002
SHADOW PLAYS IN LINZ (ARS ELECTRONICA)
"This year’s Ars Electronica Festival in Linz, Austria, was surprising not only for the serious and engaged art it offered — implicit in the subtitle “Unplugged” in reference to Africa and the third world — but also for the sheer number of projects that attracted the public with their light and playful nature.Hits this year included machines and applications intended for shadow play, but with…
Hidden scene in Budapest Maja a Reuben Fowkes | exhibition | 01.03.2002
HIDDEN SCENE IN BUDAPEST
"The manifesto of kmkk (Two Artists, Two Curators), written in autumn last year proclaimed some of the troubles of the present Hungarian art scene. It denounced the lack of an effective infrastructure, the political and commercial manipulation of mainstream culture and problems with the reception and support of contemporary art. In addition, the ignorance of the institutional art apparatus,…
Jesus in Venice (interview with René Rohan) Vladan Šír | q & a | 01.03.2002
JESUS IN VENICE (INTERVIEW WITH RENÉ ROHAN)
"A project by the group Kamera Skura (Martin Červenák, Jiří Maška and René Rohan, est. 1996) from Ostrava, CZ and Slovak artist Erik Binder won the competition for the joint Czech-Slovak pavilion at the Venice Biennale 2003. This is the first time in recent history the jury selected a proposal submitted by artists without representation by a curator. During a day-long session on 26 September 2002…
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