Umělec 3/2007 Просмотр всех номеров
Журнал Umělec
Ročník 2007, 3
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Статьи

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Blood Marisol Rodríguez | landscape | 01.03.2007
BLOOD
In the Fifties, Andy Warhol’s technique of massive silkscreen reproductions brought on the collapse of the Avant Garde’s search for an object or theme that would be a subject of artistic interpretation in any and all areas. For Warhol, art did not effect or imitate life; life was an art in itself, a view which bestowed importance on moments and reshaped the experience of everyday life in its…
Marek Pokorný | review | 01.03.2007
EVEN NOW, MY NECK IS SORE, AND SO WILL BE YOURS.
The final two volumes of The History of Czech Art, published this summer by the Czech Academia publishing house, have been celebrated as the culmination of years of work. For a great deal of those interested in Czech art from the last fifty years, these last two volumes will serve as a primary (and, considering they are under the aegis of the editors’ academic credibility, also respected) source…
Coming out the Czecho(slovak) way Zuzana Štefková | theory | 01.03.2007
COMING OUT THE CZECHO(SLOVAK) WAY
"It’s depraved to believe in some sort of instincts," says an elderly man with a bloodied face in French to a younger man, who just a short distance from him is crawling across the garden and apparently dying. “To stick your dick into a stinking pussy, a hole, from which blood flows … after fucking pussy, your dick falls off,” the man adds without raising his voice; immediately…
Outline of the Czech Art History I. Period of Greatest Importance (1960-1989) Tomáš Pospiszyl | footnotes | 01.03.2007
OUTLINE OF THE CZECH ART HISTORY I. PERIOD OF GREATEST IMPORTANCE (1960-1989)
BRUSSELS By the end of the 1950s, it was clear that Czechoslovak Socialist Realism had never existed. Between the wars, emerging art became increasingly transparent in its indebtedness to the Avant-Garde and its ideals of building new culture and society. The movement far outlived the original concept, with the processes lasting much longer than naive contributors to inter-war…
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04.02.2020 10:17
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1995, 35.5 x 43 cm (8 Pages), Pen & Ink Comic
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S.d.Ch.: Varlén's Pantheon, 99,5 x 69 cm, collage and drawing
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Some of the most bizarre stories in the global market with quality pulp fiction. Negativistic and egotistic Sleaze, a monster...
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V této autorské knize propojuje Martin Zet viditelné / hmatatelné / uskutečněné / formulované, do jednoho celku
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