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Umělec 4/2002

	Revista Umělec Ročník 2002, 4 6,50 EUR 7 USD
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Artículos

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	David Kulhánek \| triennial \| 01.04.2002
	MULTIPLICATION OF CENTERS AND THE COOL BEAUTY OF A TRIENNIAL IN VILNIUS
	To a native born Middle European, nursed in the “heart of Europe,” it will surely seem strange how far the “Center,” to which he automatically indorses himself, can be moved. It seems that a hidden war of “middles” is happening in Europe - cultural, purely optical and also geographical, measured by engineers. Whoever searches finds. So it is no surprise that in Lithuania they make cogent…

	Zuzana Štefková \| reviews \| 01.04.2002
	REALITY CHECK — CONNECTION CHECK (REALITY CHECK, GALERIE RUDOLFINUM, PRAHA)
	Reality Check: Roderick, Buchanan, k r buxey, Phil Colins, Alan Curral, Graham Fagen, Ori Gerhst, Dryden Goodwin, Luke Gottelier, Nigel Shafran, Lesley Shearer, David Shrigley, Keith Tyson, Michelle Williams, Saskia Olde Wolbers, Shizuka Yokomizo, Bettina von ZwehlGalerie Rudolfinum, Praha 6. 3. – 8. 6. 2003Ve výstavní síni Rudolfinum provádějí kurátorky Kate Bush a Brett Rogers prostřednictvím…

	Jana Kalinová \| news \| 01.04.2002
	WONDERLAND
	The project Wunderland offers mines an alternative to disappearing mineral resources. Art is an amalgam that can fill in the worm holes in the earth, as well as the cultural atmosphere of society, whose existence was based on the mining of minerals. The curators are Ulf Robe, David Waliker and Jiří Surůvka, who are also participating as artists. Other exhibitors include Asa Andersson Broms, Peter…

Nicolas Bourriaud | Teoría | 01.04.2002

RELATIONAL AESTHETICS (PART 1)

Relational AestheticsRelational formArtistic activity is a game, whose forms, patterns and functions develop and evolve according to periods and social contexts; it is not an immutable essence. It is the critic’s task to study this activity in the present. A certain aspect of the programme of modernity has been fairly and squarely wound up (and not, let us hasten to emphasise in these bourgeois…

	Karel Císař \| news \| 01.04.2002
	BERLIN
	Arndt & Partner In his work for Kassel documenta XI, Thomas Hirschhorn occupied himself with thinking about Georges Battaille; this year he devoted his individual exhibition Doppelgarage at gallery Arndt & Partner to the work of Friedrich Nietzsche. Like in the Battaillian series, besides a hybrid sculpture from recycled material — among which this time his landscapes with giant mushrooms and…

Nicolas Bourriaud | Teoría | 01.04.2002

RELATIONAL AESTHETICS (PART 2)

Relational aesthetics and random materialismRelational aesthetics is part of a materialistic tradition. Being “materialistic” does not mean sticking to the triteness of facts, nor does it imply that sort of narrow-mindedness that consists in reading works in purely economic terms. The philosophical tradition that underpins this relational aesthetics was defined in a noteworthy way by Louis…

	Martin Zet \| news \| 01.04.2002
	TIP ZCCA THE NOMAD — ARTIST
	The more I stop belonging somewhere, the more I realize that I come from somewhere. 14. 6. 2002 (The Book of Sighs)Commodities have found other, faster routs than caravans. One can now only choose to lead a nomadic life for what used to be the side effects: to learn about a place and cultural exchange — the intoxicating perhaps illusory sense that you are part of some movement. But frequently…

Nicolas Bourriaud | Teoría | 01.04.2002

RELATIONAL AESTHETICS (PART 3)

Space-time exchange factorsArtworks and exchangesBecause art is made of the same material as the social exchanges, it has a special place in the collective production process. A work of art has a quality that sets it apart from other things produced by human activities. This quality is its (relative) social transparency, if a work of art is successful, it will invariably set its sights beyond its…

	art projects \| 01.04.2002
	DAVID ADAM

	umělci sobě \| 01.04.2002
	DAVID ADAM

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04.02.2020 10:17

Slavka Kneppo:

Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.

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“	Enlightenment is always late.