DIVUS

Umělec 3/2003

	Revista Umělec Ročník 2003, 3 6,50 EUR 7 USD
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Artículos

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	Mira Keratová \| new faces \| 01.03.2003
	VERONIKA ŠRAMATYOVÁ
	born in 1977, she studied in Prof. Daniel Fischer’s studio of intermedia at VŠVU in Bratislava. During her studies Šramatoyová made — among others things — a project together with Aneta Mona Chisa called ARTODAY (2001) in which they used colorful sequins to manipulate well-known works of contemporary art. In her project White Paper (2000, Bratislava) she stuck up, dropped into mailboxes, or…

	Ana Merinová \| Teoría \| 01.03.2003
	THE CREATIVE MULTIPLICITY OF COMICS
	"The comic is a narrative and visual art form capable not only of showing the expressive voice of its creator but of constructing elaborate visual connections that can represent or challenge, among other things, the reality of the present, memory, myths, the subconscious, identity, and culture. Arising at the end of the 19th century, the comic has been able to adapt its expressive possibilities…

	Tony Ozuna \| Teoría \| 01.03.2003
	ART OF RESISTENCE 2003
	"The art of rebellion comes in all shapes, sizes and colors. It’s not necessarily a new form of social protest, but the format is new. Beyond graffiti, it’s done as elaborate murals, cartoonish characters, deformed corporate-type logos, massive poster campaigns, ubiquitous stencils, stickers, and even strategically placed objects on the street. It’s not done on canvas, or framed, and most…

	Pavel Ondračka \| Teoría \| 01.03.2003
	GINA TORNATORE: OUTER AND INNER ACTIONS
	"The House of Lords of Kunštát in Brno gave young artist Gina Tornatore only her third solo exhibition (after Rome and Milan), where she proved that she is capable of joining intellectual discourse and an emotional, dreamlike logic within her short films. Since 1990, this Australian-born (1969) artist has studied, lived and worked in London, and her work has regularly shown up in collective…

	Jiří Ptáček, Arlene Tuckerová \| Teoría \| 01.03.2003
	THIN CZECH LINE
	Things You Don’t Know, K&S, Berlin, Nov. 20, 2003 – Jan. 17, 2004 An evening walk down Linienstrasse avenue is disheartening. Every second or third shop window warmly glows in its exclusivity, the wide halls behind a sterile white decorated with insta-art installations. The surplus of Capital is obvious, but the result is an investment into a luxurious mountain sanatorium. Digressions down…

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