Zeitschrift Umělec 2001/5-6 >> Petr Foltera Übersicht aller Ausgaben
Petr Foltera
Zeitschrift Umělec
Jahrgang 2001, 5-6
6,50 EUR
7 USD
Die Printausgabe schicken an:
Abo bestellen

Petr Foltera

Zeitschrift Umělec 2001/5-6

01.05.2001

vorgestellt | en cs

"(b. 1975) graduated from the Academy of Arts, Architecture and Design (VŠUP) in Prague in 2001. He began his studies at the Film and TV Graphics Studio of Prof. Jiří Bárta and after one year he switched to the Painting Studio of Prof. Pavel Nešleha.


Foltera stretches the term new portraiture to different lengths in his recent series of paintings. Creating life-size mural mutations using known personalities from the music world such as Tricky or “DJ” as his models, decapitated floating heads emerge from psychedelic backdrops swirling with devilish florescent strokes. In others, armless individuals stare intently back at the viewer with a defiant air. These portraits are more akin to maniacal obsession than just album cover or fan poster reproduction. The faces Foltera fashions emit a loneliness; rage and dark humor linger there, along with the artist’s own ambivalent desire to become a “star.” Instead of portraying teenish worship, he dissects and manipulates his idols into fantastical characters that are strangely even more alluring in their inhuman form.
"




Kommentar

Der Artikel ist bisher nicht kommentiert worden

Neuen Kommentar einfügen

Empfohlene Artikel

Contents 2016/1 Contents 2016/1
Contents of the new issue.
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
Tunelling Culture II Tunelling Culture II
Meine Karriere in der Poesie oder:  Wie ich gelernt habe, mir keine Sorgen  zu machen und die Institution zu lieben Meine Karriere in der Poesie oder: Wie ich gelernt habe, mir keine Sorgen zu machen und die Institution zu lieben
Der Amerikanische Dichter wurde ins Weiße Haus eingeladet, um seine kontroverse, ausstehlerische Poesie vorzulesen. Geschniegelt und bereit, für sich selber zu handeln, gelangt er zu einer skandalösen Feststellung: dass sich keiner mehr wegen Poesie aufregt, und dass es viel besser ist, eigene Wände oder wenigstens kleinere Mauern zu bauen, statt gegen allgemeine Wänden zu stoßen.