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Umělec 1/2006

	Zeitschrift Umělec Ročník 2006, 1 6,50 EUR 7 USD
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	Eva Scharrer \| dokumentarismus \| 01.01.2006
	DOCUMENTARISM BETWEEN REALITY AND FICTION
	Video projections in documentary format, sociological case studies and archival work have been bringing more people into museums since big exhibits like documenta X and numerous biennials. In recent years “Documentary Turn”1 has itself become a subject in contemporary art for closer curatorial examination. This has been made very clear by exhibits such as (Based Upon) True Stories at the Witte de…

	Maja a Reuben Fowkes \| study \| 01.01.2006
	INDIE ART AND THE SEVENTIES
	‘You could have it so much better.’ (Franz Ferdinand) There are a number of reasons for reconsidering the art of the 1970s at this particular moment. The exemplary artist Marina Abramović has just re-enacted seven key performances from the 60s and 70s at the Guggenheim Museum New York during November 2005. “Seven Easy Pieces” consisted of Bruce Nauman’s Body Pressure (1974), Vito Acconci’s…

	Jiří Skála \| interview \| 01.01.2006
	IDEOLOGY OF MODERNISM
	Interview with Jiří Skála and Aleksander Komarov. Jiří Skála is a Czech artist. Aleksander Komarov comes from Belarus, is an artist as well and lives in Rotterdam. They met in Vienna and later in Prague, when Komarov took part in the biennale at the Prague National Gallery. Reaching for a voice with cosmopolitan erudition, Skála inquired about actuality, modernism, ideology of architecture, free…

	Solvej Helweg Ovesen \| box \| 01.01.2006
	"THE POWERS OF TRANSPARENCY" VS "THE SHADOWS CAST BY REALITY"
	“Illegal Speech, Illegal City” was a boxing-match surrounding the conditions of cultural production conceived by the US artist, Ross Cisneros, for the opening of the 9th Baltic Triennial, Blackmarket Worlds (BMW), CAC, Vilnius, 9.24. 2005.1 “Illegal Speech, Illegal City” offered —apart from an exciting bout of boxing — a series of statements covering the topic of cultural production in between…

	Spunk Seipel \| profil \| 01.01.2006
	FRANZ HÖFNER AND HARRY SACHS: AN ART DUO FROM BERLIN
	A visitor to Metz’s faux-movement gallery last September and October must have been a bit surprised. The two German artists Franz Höfner and Harry Sachs constructed a new exhibition architecture in the gallery. You could walk through empty rooms, see wonderful, white, but bare walls. The classical exhibition pieces, pictures or sculptures were nowhere to be seen. OK, we are so used to many…

	Arlene Tucker \| profil \| 01.01.2006
	SAUCY SOUNDS
	Reasons for adapting one’s accent vary, but what it comes down to is how one chooses to assimilate to a specific surrounding. Do they want to emphasize differences or emphasize similarities? All the facets of self-identity and assimilation are brought out through how one inherently accents his/her thought. Through the spitting mess of consonants and vowels, the sound pattern of Standard American…

	Olga Vašinkevič \| profil \| 01.01.2006
	FEMINISM IN RUSSIAN ART: MYTH OR REALITY?

	Markéta Uhlířová \| interview \| 01.01.2006
	NOTHING: AN INTERVIEW WITH KATEŘINA ŠEDÁ
	Since becoming a student at the Academy of Fine Arts in Prague, the Czech Republic in 1999, Kateřina Šedá has staged public interventions into everyday life that she identifies as ”normality.” These experiments have taken place in small villages near Brno, her home environment, as well as in the urban setting of her second home Prague. Her past projects include The First Rally of Sunday Painters …

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Zitat des Tages Der Herausgeber haftet nicht für psychische und physische Zustände, die nach Lesen des Zitats auftreten können.
“	Die Begierde hält niemals ihre Versprechen.