Umělec magazine 2000/4 >> Berlin National Gallery Prize List of all editions.
Umělec magazine
Year 2000, 4
6,50 EUR
7 USD
Send the printed edition:
Order subscription

Berlin National Gallery Prize

Umělec magazine 2000/4

01.04.2000

Robert Rigney | info | en cs

Over the last couple of years the controversial British Turner Prize has become a media spectacle causing even London bookies to sit up and take notice. Now the Berlin National Gallery wants to have a similar kind of forum for contemporary art in Germany with a new DM 100,000 prize, to be bestowed annually on a young artist of promise to foster interest in contemporary art in Berlin and celebrate the city's youthful creativity.
Rolf Hoffmann, a Berlin businessman and art collector, who proposed the idea of the prize to the board of the Friends of the National Gallery (a fundraising group affiliated with the museum) explains, ”the precedent was the Turner Prize. The difference however, is that while the Turner Prize is only for British artists, we say any artist living in Germany. There are so many foreign artists already living here in Berlin,” says Hoffmann. ”We were surprised to see how many non-German artists applied.”
Out of a group of 112 artists, German and non-German, Berlin based and otherwise, a short-list of four was selected last May. Surprising to many was that there are no familiar names on the short-list; no one with an air of notoriety; none of the young German artists who have been making a stir both at home and abroad; no ”Children of Berlin” and none of the representatives of what has been referred to recently as a kind of German YBA phenomenon.
Neither a Jonathan Meese nor a John Bock, or a Dieter Roth.
Instead in the beginning of May, the jury consisting of Peter-Klaus Schuster, general director of the Museen Preussischer Kulturbesitz, Eugen Blume, curator of the Hamburger Bahnhof, Anatol Gotfryd, Rolf Hoffmann and Claudia Tetzner from the Friends of the National Gallery selected four relative unknowns: Dirk Skreber, a figurative painter from Düsseldorf, Katharina Grosse, a 39-year-old abstract painter likewise from Düsseldorf, Olafur Eliasson, a 32-year-old Icelandic environmental artist living in Berlin, and Christian Jankowski a 31-year-old new media artist who works with the Internet, also living in Berlin. Who are these guys? many critics wanted to know.
Hoffmann says that they have consciously chosen artists who are unestablished, and have not made a big name for themselves. ”The whole idea is that we want to promote totally unknown artists. And this is another difference from the Turner Prize,” says Hoffmann. ”One of the preconditions of the Turner is that the artists must have already had a big show. What we are trying to do is promote really new contemporary art.”
Nevertheless Hoffmann is confident that come September 28 when the short listed artists will unveil their projects in the Hamburger Bahnhof, an atmosphere of controversy and suspense will prevail. ”I think that come September we shall see something interesting,” says Hoffmann. We shall see. The winner will be announced on December 6.





01.04.2000

Comments

There are currently no comments.

Add new comment

Recommended articles

Magda Tóthová Magda Tóthová
Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…
My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
Nick Land – An Experiment in Inhumanism Nick Land – An Experiment in Inhumanism
Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
04.02.2020 10:17
Where to go next?
out - archeology
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
Josef Jindrák
Who is S.d.Ch? A person of many interests, active in various fields—literature, theater—known for his comics and collages in the art field. A poet and playwright foremost. A loner by nature and determination, his work doesn’t meet the current trends. He always puts forth personal enunciation, although its inner structure can get very complicated. It’s pleasant that he is a normal person and a…
Read more...
out - poetry
THC Review and the Condemned Past
THC Review and the Condemned Past
Ivan Mečl
We are the fifth global party! Pítr Dragota and Viki Shock, Fragmenty geniality / Fragments of Charisma, May and June 1997. When Viki came to visit, it was only to show me some drawings and collages. It was only as an afterthought that he showed me the Czech samizdat publication from the late 1990s, THC Review. When he saw how it fascinated me, he panicked and insisted that THAT creation is…
Read more...
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Read more...
birthing pains
Who’s Afraid of Motherhood?
Who’s Afraid of Motherhood?
Zuzana Štefková
Expanding the definition of “mother” is also a space for reducing pressure and for potential liberation.1 Carol Stabile The year was 2003, and in the deep forests of Lapák in the Kladno area, a woman in the later phase of pregnancy stopped along the path. As part of the “Artists in the Woods” exhibit, passers-by could catch a glimpse of her round belly, which she exposed especially for them in…
Read more...
Books, video, editions and artworks that might interest you Go to e-shop
Big „black book“ of Josef Bolf, the Atomic age’s most depressive visionary, with text by Tomáš Pospiszyl. Extensive hardback...
More info...
30 EUR
33 USD
More info...
6,50 EUR
7 USD
Painting on Canvas
More info...
666 EUR
725 USD
A complete collection of Umelec Magazine´s last 20 years. The package contains sixty issues including the very rare ones, and a...
More info...
240 EUR
261 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.

Enlightenment is always late.
CONTACTS AND VISITOR INFORMATION The entire editorial staff contacts

DIVUS BERLIN
at ZWITSCHERMASCHINE
Potsdamer Str. 161
10783 Berlin, Germany
berlin@divus.cz

 

Open Wednesday to Sunday 2 - 7 pm

 

Ivan Mečl
ivan@divus.cz, +49 (0) 1512 9088 150

DIVUS LONDON
Enclave 5, 50 Resolution Way
London SE8 4AL, United Kingdom
news@divus.org.uk, +44 (0)7583 392144
Open Wednesday to Saturday 12 – 6 pm.

 

DIVUS PRAHA
Bubenská 1, 170 00 Praha 7, Czech Republic
divus@divus.cz, +420 245 006 420

Open daily except Sundays from 11am to 10pm

 

DIVUS WIEN
wien@divus.cz

DIVUS MEXICO CITY
mexico@divus.cz

DIVUS BARCELONA
barcelona@divus.cz
DIVUS MOSCOW & MINSK
alena@divus.cz

DIVUS NEWSLETTER SUBSCRIPTION
Divus New book by I.M.Jirous in English at our online bookshop.