Umělec magazine 2008/1 >> Editorial List of all editions.
Umělec magazine
Year 2008, 1
6,50 EUR
7 USD
Send the printed edition:
Order subscription

Editorial

Umělec magazine 2008/1

01.01.2008

Ivan Mečl | editorial | en cs de es

We work like old people, yet we behave like children more than ever before. We surround ourselves with mobile miracles, and therefore we have no idea what we are dealing with. We try to live in safety, and yet we do not know what it means to be safe. Many of us have lost time, but acquired “things.” We love “things” and their names sound nice to us. We love them, but they do not love us. We are impressed by their being charged, and unhappy by their loss. We are unhappy and with no time to spare from unrequited love, and always on the move.
So let’s forget about culture. We don’t know what it means. The word culture is at the end of its meaning-making history, because it has become a crutch for all that is frivolous. Why have a ministry for some abstract culture, we have beer culture, table culture, legal culture, legislative
culture, and all kinds of mold and yogurt cultures too. Culture without qualification is fraud.
Art is trying to become science. It deals with philosophy, sociology and psychology, and desires to be a pedagogical resource too. It wants to be political, yet maintain the charisma of the underground (that is, by being non-political). It wants to be a commodity. It makes fun of pop culture, a society that desires property, and it exhorts humility while at the same time consuming high-profile grants and taking over entire exhibit halls for its presentation. Contemporary art wants to be everything but still remain unique. Because art itself has little meaning—there is too much of it.
Contemporary artists are like Switzerland. They are like a country that wishes to remain neutral in the game, while siding with the winning team no matter who that is. Artists need not know a lot, yet they wish to comment on all contemporary phenomena. There is no area where contemporary artists do not stick their noses, but should they act in error, they simply claim artistic immunity. The only concept they are afraid of is art that wishes to fulfill and not make mistakes. A thought process without tangible results might as well be called laziness. Today, laziness is unforgivable. Activeness is the universal solution for contemporary society; it does not pay to stay in one place. True passivity requires courage.
A living man speaks. A clever man writes. A dead man is silent; a dead, lazy man.
Giving up the term culture offers hope of finding meaning.





01.01.2008

Comments

There are currently no comments.

Add new comment

Recommended articles

Tunelling Culture II Tunelling Culture II
Contents 2016/1 Contents 2016/1
Contents of the new issue.
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy
Goff & Rosenthal gallery, Berlin, November 18 - December 30, 2006 Society permanently renegotiates the definition of drugs and our relationship towards them. In his forty-five minute found-footage film The Conquest of Happiness, produced in 2005, Oliver Pietsch, a Berlin-based video artist, demonstrates which drugs society can accommodate, which it cannot, and how the story of the drugs can be…
04.02.2020 10:17
Where to go next?
out - archeology
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
Josef Jindrák
Who is S.d.Ch? A person of many interests, active in various fields—literature, theater—known for his comics and collages in the art field. A poet and playwright foremost. A loner by nature and determination, his work doesn’t meet the current trends. He always puts forth personal enunciation, although its inner structure can get very complicated. It’s pleasant that he is a normal person and a…
Read more...
out - poetry
THC Review and the Condemned Past
THC Review and the Condemned Past
Ivan Mečl
We are the fifth global party! Pítr Dragota and Viki Shock, Fragmenty geniality / Fragments of Charisma, May and June 1997. When Viki came to visit, it was only to show me some drawings and collages. It was only as an afterthought that he showed me the Czech samizdat publication from the late 1990s, THC Review. When he saw how it fascinated me, he panicked and insisted that THAT creation is…
Read more...
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Read more...
birthing pains
Who’s Afraid of Motherhood?
Who’s Afraid of Motherhood?
Zuzana Štefková
Expanding the definition of “mother” is also a space for reducing pressure and for potential liberation.1 Carol Stabile The year was 2003, and in the deep forests of Lapák in the Kladno area, a woman in the later phase of pregnancy stopped along the path. As part of the “Artists in the Woods” exhibit, passers-by could catch a glimpse of her round belly, which she exposed especially for them in…
Read more...
Books, video, editions and artworks that might interest you Go to e-shop
From series of rare photographs never released before year 2012. Signed and numbered Edition. Photography on 1cm high white...
More info...
220 EUR
226 USD
From series of rare photographs never released before year 2012. Signed and numbered Edition. Photography on 1cm high white...
More info...
220 EUR
226 USD
2001, 21.5 x 28cm, Colour Drawing
More info...
334,80 EUR
344 USD
Fountain, 1995, silkscreen print, 44 x 27,5 cm
More info...
65 EUR
67 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.

Enlightenment is always late.
CONTACTS AND VISITOR INFORMATION The entire editorial staff contacts

DIVUS BERLIN
at ZWITSCHERMASCHINE
Potsdamer Str. 161
10783 Berlin, Germany
berlin@divus.cz

 

Open Wednesday to Sunday 2 - 7 pm

 

Ivan Mečl
ivan@divus.cz, +49 (0) 1512 9088 150

DIVUS LONDON
Enclave 5, 50 Resolution Way
London SE8 4AL, United Kingdom
news@divus.org.uk, +44 (0)7583 392144
Open Wednesday to Saturday 12 – 6 pm.

 

DIVUS PRAHA
Bubenská 1, 170 00 Praha 7, Czech Republic
divus@divus.cz, +420 245 006 420

Open daily except Sundays from 11am to 10pm

 

DIVUS WIEN
wien@divus.cz

DIVUS MEXICO CITY
mexico@divus.cz

DIVUS BARCELONA
barcelona@divus.cz
DIVUS MOSCOW & MINSK
alena@divus.cz

DIVUS NEWSLETTER SUBSCRIPTION
Divus New book by I.M.Jirous in English at our online bookshop.