Umělec magazine 2001/4 >> Jiří Havlíček List of all editions.
Jiří Havlíček
Umělec magazine
Year 2001, 4
6,50 EUR
7 USD
Send the printed edition:
Order subscription

Jiří Havlíček

Umělec magazine 2001/4

01.04.2001

new faces | en cs

Jiří Havlíček (b. 1977) currently studies under Tomáš Ruller in the studio of performance in the fine arts department of the Technical College in Brno, CZ. He previously attended Václav Stratil’s drawing studio and Keiko Sei’s video atelier.
Jiří Havlíček’s recent animation immediately grabs the attention. And not only because he chooses as his protagonists Tip et Tap (Tip and Tap) the well-known characters from the French cartoon of the same name, but also because Havlíček’s version of their adventures is something quite different. Two adorable animals take a stroll in a flowery meadow. They admire the shining sun and talk about death. One of the pair is abandoned and he too eventually fades into the darkness.
This and Havlíček’s other animations deal with the personal memories of some of his generation’s pop icons by borrowing from popular cartoons, animation and a soundtrack by the well-known Slovak singer Peter Nagy, and Donald Duck. He grants his personal memory a universal esthetic and emotional dimension, allowing other generations to read and appreciate his work. Havlíček’s work is not inundated with technical experiments and media; a well-constructed composition with a distinct point characterizes his short pieces.
He is currently working on combining cartoon animation and comics with live performance.




01.04.2001

Comments

There are currently no comments.

Add new comment

Recommended articles

Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
African Vampires in the Age of Globalisation African Vampires in the Age of Globalisation
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."
Contents 2016/1 Contents 2016/1
Contents of the new issue.
My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.