Denisa Kera

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Přehled příspěvků autora Denisa Kera

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	Denisa Kera \| review \| 01.02.2006
	CONTACTS OF THE THIRD KIND
	Kontakt, Mumok, Vienna, March 17 – May 21, 2006 The Kontakt exhibition in Vienna shows a cross-section of middle-European art from the 1960s to the 1990s from the collection of the Erste Bank Group, which was founded within their Tranzit project. It shows works that were unable encounter each other because of the communist regimes, but yes still somehow “communicate” and follow common…

	Denisa Kera \| psychogeography \| 01.03.2005
	PSYCHOGEOGRAPHY: CITY, UTOPIAS AND MAPS
	There is an apparently haphazard stain across an invitation to the vernissage of South Korean art group Flyingcity’s psychogeographic exhibition at the Display gallery in Prague that covers a map of Seoul. That spot opens space for investigation. What is the origin of the stain? Be it dramatic (blood), or purely trivial (coffee), the shape on the map demarcates and creates a new territory. The…

	Denisa Kera \| profile \| 01.01.2005
	WOMEN-NETWORK: MÁRIA RIŠKOVÁ "SPIDERGIRL FROM BRATISLAVA"
	In a book from 1997 that has already become legendary, Zeros and Ones: Digital Women and the New Techno-culture, Sadie Plant argues for an affinity between women and digital technologies. The affinity stems from the notion that women and computers ostensibly lack identity and essence. The computer as a machine only simulates the work of other machines and we define it according to what it does…

	Denisa Kera \| profile \| 01.01.2005
	OPTIMALIZATION WHIZ
	Interview with Mária Rišková Mariša, when did you decide to promote art linked with new technologies in Slovakia? Denisa, as with any appropriately egotistical individual being interviewed, who has to put the journalist right, I am going to diss that question (don’t take it personally, that’s my way of getting over my initial shyness before opening up). It was not and is not a decision, but…

	Denisa Kera \| housing \| 01.01.2005
	THE PRAISE OF MESSINESS OR A NEW CONSTITUTION?
	“It is only when we spread out somehow that we can surpass ourselves...” (from an interview of the authors of the project in the Forum magazine of architecture) The bravest dreams of the famous philosopher Bruno Latour about a common house of people and things are embodied by the Janeček home. Whilst everyone chatters on about a multicultural society that welcomes strangers, the Janeček family…

	Denisa Kera \| info \| 01.03.2004
	ARS ELECTRONICA 2004 – DIGITAL CIRKUS, MANDALAS AND TRACES
	The 25th anniversary gathering of the Ars Electronica festival successfully encapsulated a quarter century of electronic and digital art. On one side it featured projects and presentations expanding on one of the original aesthetic values associated with technological art—interactivity. On the other, it strongly promoted projects dealing with computer visualizations that represent a more…

	Denisa Kera \| info \| 01.01.2004
	TRANSMEDIALE 04 – ART AS DOWNRIGHT BABBLING AND POLITICAL FAILURE
	For a number of years now Transmediale, the Berlin festival of new media and art, has chosen to tag itself with activist watchwords like DIY – do it yourself, Play Global and now this year’s Fly Utopia! The purpose of the festival and several-day-long conferences is to propagate art and activist projects and ideas. In this case the words say nothing about the work and this year’s selection of…

Denisa Kera | info | 01.01.2004

DENISA KERA TALKING WITH A MEMBER OF THE RE-CODE

Denisa Kera: What were the reactions of people when you started this "service" and "bar code parody" on the web? Re-code: Initially the site was making the rounds through blog sites and more personal web sites by people more familiar with satire on the internet. The initial reaction was one that appreciated the humor of the site and we received comments that were very encouraging. When we…

	Denisa Kera \| performance \| 01.02.2003
	PERFORMANCE OF MACHINES AND PEOPLE IN THE ONLINE ENVIRONMENT
	“The internet is actually one big, permanent performance.”We usually associate performances and happenings with the “real” world, whether it is with the physical body in body-art, with landscape in land-art, or some other type of individual and collective action in public space. These interventions disrupt social practices, rituals or regimes at work, and they often take the form of protest or an…

	Denisa Kera \| balkans \| 01.01.2003
	BALKAN ART IS A COMPLIMENT IN VIENNA
	"For ages now the Balkans and everything from the Balkans were considered a symbol of the “betrayal” of European values, either for the violent Islamization in the Middle Ages, or more recently, for the bloody ethnic conflicts. At the end of the 20th century, Hector Hugh Munro, a war correspondent in the Balkans, alias Saki, the famous English satirist, uses the word Balkan as an insult and a…

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Přehled rubrik autora Denisa Kera

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04.02.2020 10:17

Slavka Kneppo:

Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.

Star Wars, I.

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Stu Mead: Dancer

Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.
“	Enlightenment is always late.