Revista Umělec 2000/1 >> Jiří Surůvka Lista de todas las ediciones
Revista Umělec
Año 2000, 1
30 EUR
31 USD
Enviar la edición impresa:
Suscripción de orden

Jiří Surůvka

Revista Umělec 2000/1

01.01.2000

Jiří Surůvka | art projects | en cs

Jiří Surůvka (born 1961), lying at the right, is a forward-artist.

The Baník Ostrava Line-up: Back row left to right: Eduard Ovčáček (couch), Pavel Netopil, Martin Červenák, René Rohan, Marek Pražák, Dušan Baran, Jiří Šigut, Milan Sýkorský, Eduard Haberštát (masseur)
Middle row left to right: Jaroslav Žila, Aleš Hudeček, Ivo Kaleta, Martin Adamec, Katarina Hudečková, Marius Kotrba, Petr Lysáček, Petr Hruška
First row (goalkeepers): Jiří Surůvka, Miroslav Chudej





01.01.2000
Enviar a un email

Comentarios

Actualmente no hay comentarios

Agregar nuevo comentario

Artículos recomendados

The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
An unsuccessful co-production An unsuccessful co-production
If you know your way around, you might discover that every month and maybe even every week you stand the chance to receive money for your cultural project. Successful applicants have enough money, average applicants have enough to keep their mouths shut, and the unsuccessful ones are kept in check by the chance that they might get lucky in the future. One natural result has been the emergence of…
Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy
Goff & Rosenthal gallery, Berlin, November 18 - December 30, 2006 Society permanently renegotiates the definition of drugs and our relationship towards them. In his forty-five minute found-footage film The Conquest of Happiness, produced in 2005, Oliver Pietsch, a Berlin-based video artist, demonstrates which drugs society can accommodate, which it cannot, and how the story of the drugs can be…
African Vampires in the Age of Globalisation African Vampires in the Age of Globalisation
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."