Revista Umělec 1998/6-7 >> Photograph (Markéta Othová) Lista de todas las ediciones
Revista Umělec
Año 1998, 6-7
2,50 EUR
3 USD
Enviar la edición impresa:
Suscripción de orden

Photograph (Markéta Othová)

Revista Umělec 1998/6-7

01.06.1998

Marek Pokorný | reviews | en cs






Comentarios

Actualmente no hay comentarios

Agregar nuevo comentario

Artículos recomendados

Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
Malvado Malvado
“La persona debe sacudir tres veces la mano de alguien mientras mantiene fijamente la mirada en sus ojos. Así es como es posible memorizar el nombre de una persona con certeza. De ésta forma es como he recordado los nombres de las 5000 personas que han estado en el Horse Hospital”, me dijo Jim Holland. Holland es un experimentado cineasta, músico y curador. En su infancia, sufrió al pasar por…
Magda Tóthová Magda Tóthová
Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…