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The initiative of several leading German and Austrian cultural institutions has culminated in a major international show of contemporary art. Entitled Zeitwenden, the exhibition can be visited at Künstlerhaus and Museum Moderner Kunst Stiftung Ludwig in Vienna until October 1, which will follow the show in Bonn’s Kunstmuseum. According to chief curator Lóránd Hegyi the exhibition attempts to indicate what art in the near future will look like and includes works by over 90 artists from five continents. The exhibition has been realized in two separate parts. While Ludwig’s 20er Haus presents installations, videos and photographs by the stars of the global art scene ranging from Matthew Barney, Wim Delvoy, Carsten Höller, Tracey Moffatt, Pipilotti Rist to Rosemarie Trockel, the Künstlerhaus has mainly collected paintings and sculptures by artists of the older generation: Louise Bourgeois, Tonny Cragg and Franz West; as well as artists from the periphery: Cai Guo Qiang, Ays Erkmen and Bodys Isek Kingelez.
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There’s 130 kilos of fat, muscles, brain & raw power on the Serbian contemporary art scene, all molded together into a 175-cm tall, 44-year-old body. It’s owner is known by a countless number of different names, including Bamboo, Mexican, Groom, Big Pain in the Ass, but most of all he’s known as MICROBE!… Hero of the losers, fighter for the rights of the dispossessed, folk artist, entertainer…
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Goff & Rosenthal gallery, Berlin, November 18 - December 30, 2006
Society permanently renegotiates the definition of drugs and our relationship towards them. In his forty-five minute found-footage film The Conquest of Happiness, produced in 2005, Oliver Pietsch, a Berlin-based video artist, demonstrates which drugs society can accommodate, which it cannot, and how the story of the drugs can be…
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Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
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