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Umělec 4/2000

	Revista Umělec Ročník 2000, 4 6,50 EUR 7 USD
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informace | 01.04.2000

PARNÍ VÁLEC

Richard Gregor | info | 01.04.2000

TONAL 2000

The schematic results for this year’s Tonal, a Slovak prize awarded to contemporary artists, makes us think more about the issues facing current trends of contemporary art than the short-listed works themselves. While the four runners-up represent “respected” positions that currently exist (or rather survive) in Slovakia, the selection process did not take into consideration future development. …

Vladan Šír | news | 01.04.2000

IN CECA WE TRUST

"Ten years after the disintegration of former Yugoslavia it seems that the once brotherly republics only have one last thing in common: a drink called Cockta. During our trip to the Balkans, we first came across Cockta in Belgrade, and then we noticed with surprise this local version of a cola appearing in menus in Sarajevo, Makarska Riviera and Ljubljana. The citizens of the newly independent…

Vladan Šír | news | 01.04.2000

INTERVIEW WIHT RAŠA TODOSIJEVIĆ

"What is the situation for young artists?Many young artists have left Serbia. For me it’s OK; I can travel; I have contact with people though I’m completely broke. But it’s worse for the youngest artists who have finished the Academy. They have no money; it’s difficult to travel around; there’s no information, no magazines, no contact with foreign artists and so on. We can expect the effect of…

	David Lochsmidt \| islam \| 01.04.2000
	MUSLIMGAUZE ISLAM A LA MANCHESTER
	"Bryn Jones (1961-1999), former citizen of Manchester, rarely explained or commented on the politically motivated work in his CD booklets. The titles of individual compositions almost always concerned events in Islamic regions; other times they represented names of high-ranking political and religious figures, and statements—the subjective opinion of the composer summed up in one word or sentence…

	Františka a Tim Gilman-Ševčík \| focus \| 01.04.2000
	THE GREAT GRAFFITI SELL-OFF
	Arriving in New York used to feel like falling through a trap door into a dirty little secret. Ubiquitous filth and ecstatic energy, New York outlived the rest of America in extremes of high and low cramped magically into a tight little island bursting at the seams. It was more permissive than the puritanical hinterlands—here there was danger, balanced out by excitement, mess, offset by splendor,…

	BLN \| focus \| 01.04.2000
	ON BEATS, RHYMES, PRAGUE WALLS AND LIFE
	"Hip hop is an autonomous subculture with its own image, growing as a means of expression in ghettos. The music itself (whose roots go back to Jamaica’s toasters, or MCs, in the 1960s, James Brown and George Clinton; Afrika Bambaata claims he was influenced by Kraftwerk’s electronic music) is only one part of an extended subculture sharing space with graffiti art, breakdance, and rap. Like punk,…

	Ineke Schwartz \| focus \| 01.04.2000
	ARCHI-TAG-TURA: THE SYNERGY OF ARCHITECTURE & GRAFFITI
	"“Reusing existing stuff is a rich and varied practice. Bach reused Vivaldi; Busoni reused Bach; Tinguely reused garbage; countless people reused found film footage. Each to different purposes and with different effects. Sometimes it’s an homage, sometimes an attempt at destruction, sometimes a breathing of life, sometimes a critique, sometimes an exploration, sometimes an evening of scores,…

	Holger Emil Bange \| Perfil \| 01.04.2000
	A SPACE EXPEDITION & LABORATORY EXPERIMENTS
	"When I first saw Max Mohr’s objects in 1992 in the Museum of Modern Art in Frankfurt, I was attracted and repelled at the same time. I was confused but they gripped me; I was excited but I felt like I should be careful. I had never seen absurd forms and materials like these in art, and all I could feel was respect. At first I wasn’t sure how to appreciate the works, but they soon drew me into…

	Nataša Petrešin \| China \| 01.04.2000
	LOOPS OF CYCLES (CHEN ZHEN)
	Contemporary art has long been consciously oriented towards art produced in Europe and the USA. On the other hand, recent events in other cultures slipping through the membrane of the contemporary art scene are certainly signs of general globalization and the logical progress of expanding borders. The curator Hans-Ulrich Obrist, for example, has already revealed the frequent presence of Asian…

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