|
Belarusian artist Konstantin Goretsky spent three months in Prague as a residence program participant. Delighted with everything around him, he not only devoted himself to his own work, but tried also to learn as much as possible about contemporary Czech art. He conscientiously visited all the exhibitions recommended by program curator Alena Boika, and viewed all the biggest museums and galleries. Very soon, he discovered a technique that Czech artists are particularly fond of: painted stains running here and there and everywhere. Applying this technique, which is especially noticeable against the background of his posters, Konstantin Goretsky sends his warmest greetings to his Czech friends and hopes to find understanding in their hearts and minds.
Рекомендуемые статьи
|
|
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."
|
|
|
Author dreaming of a future without censorship we have never got rid of.
It seems, that people don‘t care while it grows stronger again.
|
|
|
There’s 130 kilos of fat, muscles, brain & raw power on the Serbian contemporary art scene, all molded together into a 175-cm tall, 44-year-old body. It’s owner is known by a countless number of different names, including Bamboo, Mexican, Groom, Big Pain in the Ass, but most of all he’s known as MICROBE!… Hero of the losers, fighter for the rights of the dispossessed, folk artist, entertainer…
|
|
|
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
|
|
Комментарии
Статья не была прокомментированаДобавить новый комментарий