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Vít Havránek

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Subjective Patterns of Consumption Vít Havránek | profile | 01.01.2004
SUBJECTIVE PATTERNS OF CONSUMPTION
Jan Šerých’s contribution to the catalogue for the Zlínský Salon consisted of two photographic details of his Saab, model 900. For his exhibition in Černý pavouk in Ostrava, Šerých collected photographs of jet planes and from this collection he made large-format A1 prints. For several months Šerých gathered empty food packaging: bottles, detergents, milk cartons, butter boxes and from these he…
Situations, Circumstances and Particips Vít Havránek | profile | 01.01.2002
SITUATIONS, CIRCUMSTANCES AND PARTICIPS
"“It was at the time when I was working with the phenomena of surface adjustments, transparency, reflection — reflection of a situation within an image and the theme on the margin of the image — that was when I started using stencils, spray paint, varnished surfaces and sheets of plastic.” And so Czech artist Tomáš Vaněk abandoned oils to look for something else, something traditional canvas…
Cloned Identity Vít Havránek | profile | 01.03.2001
CLONED IDENTITY
"Those familiar with the Czech and Slovak art scenes may recognize the name Stano Filko. And very likely those same people would, without hesitation, and mostly based on his initial oeuvre, place him in the 1960s context – rightfully so. Few recall, however, what exactly it was that this artist did back then, and perhaps only a handful of Slovak art historians know what he`s been working on…

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04.02.2020 10:17
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In this book French photographer Petit, who now lives in Berlin, experiments with shadows and her body, mostly in black and...
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