DIVUS

Umělec 2/2006

Статьи

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	Annemarie Reichen \| u-sobě \| 01.02.2006
	FROM WESTERN SWITZERLAND WITH LOVE
	Steven Parrino: Geneva, Lausanne, Neuchâtel, Fribourg 150 km from Zurich At the end of February, a new date had been penciled into the schedule; it would prove not only a good opportunity to meet many people and have interesting discussions, but above all a chance to be amazed at an exhibition of the Steve Parrino Collection Estate in Mamco (www.mamco.ch). It ranged from the early works of…

	Marion Ronca \| u-sobě \| 01.02.2006
	LUCERNE’S CHAPEL BRIDGE
	On the Construction and Reconstruction of a Landmark I cannot remember precisely when and on which occasion I first set foot onto Europe’s oldest and probably longest covered wooden bridge—the Lucerne chapel bridge. What I do recall very clearly though is feeling uneasy in the face of such history and heritage which was for one evoked by the numerous cobwebs as well as the historic-genealogical…

	Alena Boika \| u-sobě \| 01.02.2006
	MY SWITZERLAND IN THE MIDDLE OF NOWHERE

	Alena Boika \| u-sobě \| 01.02.2006
	CABARET VOLTAIRE
	Interactive Recycling and Mark Divo Why Alternative Culture Is Being Eliminated in Zurich or Dear Swiss Artists, Welcome to Prague!!! While working on this issue I came across a glossy advertisement for Cabaret Voltaire Spiegelgasse 1, in Zurich and could not resist the temptation to write about it. Besides, I was going to do it anyway as I was impressed by the story told by Mark Divo, the…

	Simone Schardt \| u-sobě \| 01.02.2006
	A BETTER LIFE WITH CRITICISM
	Following up the tradition of thinking in decades that we find in the latest history of art, it seems that the decade 2000-2010 is a period of reflection and criticism of the conditions in which art is done: Meta-criticism is born. However, the question of conditions in the art world is just one target - another target is the increasing influence of criticism when it comes to the market value of…

	Burkhard Meltzer \| u-sobě \| 01.02.2006
	THE PRESENT WITHOUT FORGETTING
	The interpretation of the concept of the present seems to be undergoing a fundamental change among artists and those who facilitate art - not only in Switzerland. On the one hand one tries to establish processes of perception in the space of art as a long lasting process; on the other hand, contemporary art is often integrated in historical contexts. Art has always been an excellent and adequate…

	Beate Engel \| u-sobě \| 01.02.2006
	WHAT A BEAUTIFUL CITY!
	Berne has only about 125,000 inhabitants and, with its registered old town, appears at first sight to be quiet, clean, picturesque, and somewhat provincial. At the same time, Berne is the federal capital of Switzerland and thus represents one of the richest countries in the world. This affluence is reflected in the enormous amount of cultural institutions. Very recently, the art scene has been…

	Eduard Piňos \| interview \| 01.02.2006
	MANAGER´S CIVILIZATION
	Eduard Piňos interviews Eastwood The Eastwood Group follows the research of relations between contemporary communication and information technologies and cultural practice. This project, consisting of two Yugoslavian software experiments, is trying to reach an understanding of principles and changes in our information society. Eastwood then tries to widen their findings about the evolution of…

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“	Enlightenment is always late.