Zeitschrift Umělec 2006/2 >> I love 69 popgejú Übersicht aller Ausgaben
I love 69 popgejú
Zeitschrift Umělec
Jahrgang 2006, 2
6,50 EUR
7 USD
Die Printausgabe schicken an:
Abo bestellen

I love 69 popgejú

Zeitschrift Umělec 2006/2

01.02.2006

Jiří Ptáček | neue gesichter | en cs

If the Red Hot Chilli Peppers shocked their fans, at the time, by wearing socks on their private parts, then i love 69 popgejů hypnotizes them with leopard print hand-made underwear (with a large stuffed phallus hanging out) while writhing their bodies and wearing tennis shoes on their head. Three of the four members of this performance group met in Valašské Meziříčí, Moravia. Currently they live and study in Ostrava (studying with Petr Lysáček and Jiří Surůvka at the Institute for Creative Studies). The beginnings of i love 69 popgejů can be traced back to their first performance in 2001, but it was not until last year that the group began taking steps towards a more serious approach in terms of musical and theatrical production. The "Popgejs" (pop-gays) dub themselves as psychiatric pop, considered a very tame label, which is meant to confuse producers into at least including their demo on a playlist. Their wild performances are a fusion of electroclash, invasive keyboard riffs inspired by 80s pop, throaty yelling and the afore-mentioned stage performance. These, along with their lyrics, are usually aimed at presenting the male sexual libido. This can be easily misinterpreted as an attack on gender equality, but is equally ironic as the glamorous visuals in their promotional materials. Accompanying photographs and videos are in the same vain.
ilove69popgejů try to infiltrate into clubs focused on both hetero and homosexual audiences, and they perform alongside a cabaret named the Return of the Masters of Entertainment. For the Ostrava community, their gallery space Watchtower – located in the basement of a suburban house that the "popgays" and other sympathizers rented - has become an irreplaceable fixture of the local scene. Their one day events attract most of the players in the progressive art scene. If the strong generation of Ostrava artists were at a loss for young blood, the i love 69 popgejů represent an articulate faction, whose local non-conformist humor is seasoned with unprecedented pre-pubescent perversion, a thrill for provocation and a focus on the relationship between entertainment and the questioning of stereotypes and norm violations. You will not see them on morning television, they are perhaps a bit much with your morning coffee. It is unlikely you will even see them on any cultural program.

www.ilove69popgeju.net





Kommentar

Der Artikel ist bisher nicht kommentiert worden

Neuen Kommentar einfügen

Empfohlene Artikel

Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
Missglückte Koproduktion Missglückte Koproduktion
Wenn man sich gut orientiert, findet man heraus, dass man jeden Monat und vielleicht jede Woche die Chance hat, Geld für sein Kulturprojekt zu bekommen. Erfolgreiche Antragsteller haben genug Geld, durchschnittlich so viel, dass sie Ruhe geben, und die Erfolglosen werden von der Chance in Schach gehalten. Ganz natürlich sind also Agenturen nur mit dem Ziel entstanden, diese Fonds zu beantragen…
No Future For Censorship No Future For Censorship
Author dreaming of a future without censorship we have never got rid of. It seems, that people don‘t care while it grows stronger again.
Nick Land, Ein Experiment im Inhumanismus Nick Land, Ein Experiment im Inhumanismus
Nick Land war ein britischer Philosoph, den es nicht mehr gibt, ohne dass er gestorben ist. Sein beinahe neurotischer Eifer für das Herummäkeln an Narben der Realität, hat manch einen hoffnungsvollen Akademiker zu einer obskuren Weise des Schaffens verleitet, die den Leser mit Originalität belästigt. Texte, die er zurückgelassen hat, empören, langweilen und treiben noch immer zuverlässig die Wissenschaftler dazu, sie als „bloße“ Literatur einzustufen und damit zu kastrieren.