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Přehled příspěvků autora David Kulhánek

Practice, Theory and Exposition of Zbyněk Baladrán David Kulhánek | profile | 01.03.2004
PRACTICE, THEORY AND EXPOSITION OF ZBYNĚK BALADRÁN
That which is really postmodern, open, plural and liberal is a reality of fictional dynamic structures, and that reality is constantly in flux. (Dušan Třeštík, Konec paradigmatu? In: Mysliti dějiny, Paseka, Praha 1999, p. 67) In art, as in society and the individual, one can find specific maps. Some lines present something, others are abstract. Some are with segments, others without... We think…
Advice From a Poor Relative David Kulhánek | profile | 01.01.2003
ADVICE FROM A POOR RELATIVE
"Daniel Bozhkov moved to the USA from his native Bulgaria in the early 1990s. Like many other artists from the Eastern Bloc, he took advantage of the open border to go taste what had been forbidden fruit. In many respects even today he is still the same poor relative from the East, an artist with an academic education in the techniques of wall painting who left to see the world. He looks around…
Multiplication of centers and the cool beauty of a triennial in Vilnius David Kulhánek | triennial | 01.04.2002
MULTIPLICATION OF CENTERS AND THE COOL BEAUTY OF A TRIENNIAL IN VILNIUS
To a native born Middle European, nursed in the “heart of Europe,” it will surely seem strange how far the “Center,” to which he automatically indorses himself, can be moved. It seems that a hidden war of “middles” is happening in Europe - cultural, purely optical and also geographical, measured by engineers. Whoever searches finds. So it is no surprise that in Lithuania they make cogent…
Bezzubé bienále David Kulhánek | recenze | 01.03.2002
BEZZUBÉ BIENÁLE
David Kulhánek | rozhovor | 01.01.2002
ŘEKNI, KDE KRITICI JSOU? (ROZHOVOR S JÁNEM MANČUŠKOU)
Match Draw David Kulhánek | biennial | 01.01.2002
MATCH DRAW
"Zvon 2002, the fourth biennial of young contemporary Czech art, has seen the curatorial scepter pass from the project’s original curators, Karel Srp and Olga Mala, to Michal Koleček. Despite taking charge only months before the opening, Koleček never let the inevitable compromises become overtly visible in the show. Young contemporary Czech art in the show comes off as being nothing “special.”…
The Beagle Boys Are Here David Kulhánek | artist | 01.04.2001
THE BEAGLE BOYS ARE HERE
"Few initiatives in the Czech art scene in recent years have attempted to break past the borders of the communal cottage industry that is the visual arts. Generally speaking, only rarely does Czech art respond to immediate social and political influences; and if it does, the reaction is almost always refined and polite. The activities of the Czech group Rafani (Beagle Boys in English) are…
Personal Experience vs. Digital Technology David Kulhánek | review | 01.02.2001
PERSONAL EXPERIENCE VS. DIGITAL TECHNOLOGY
"Darren Almond, Kunsthalle Zurich, 31 March – 27 May 2001Darren Almond (b. 1971) belongs to the youngest generation of British artists who first became known during the great YBA boom. His latest solo exhibition at Kunsthalle Zürich (31 March – 27 May 2001) boasted the qualities of a retrospective, displaying a “cross-section” of Almond’s work from 1996 – 2001. As with Richard Billingham, that…

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Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...
Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.
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Stu Mead: Crying Fountain
Stu Mead: Crying Fountain
Crying Fountain, 200, silkscreen print, 50 x 35 cm
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Pavel Reisenauer - The Fool
Pavel Reisenauer - The Fool
print on durable film, 250 x 139 cm, 2011
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Stu Mead: Gold Upstairs, Red Downstairs
Stu Mead: Gold Upstairs, Red Downstairs
Gold Upstairs, Red Downstairs, 1998, acrylic painting on canvas, 73 x 36 cm, on frame
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2 200 EUR
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Mike Diana - Critter Couple
Mike Diana - Critter Couple
2003, 28 x 21.2 cm, Pen & Ink Drawing
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