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Miloš Vojtěchovský

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Přehled příspěvků autora Miloš Vojtěchovský

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Translated by Vladan Šír Miloš Vojtěchovský | film | 01.03.2001
TRANSLATED BY VLADAN ŠÍR
"“We have been ‘liberated’ in every sense of the term, so much so that we have moved beyond a certain spacetime, we’ve left a certain horizon where the real was possible because gravitation was still strong enough for things to reflect on themselves and thereby possess or acquire some sort of duration (duree) and outcome.”Jean Baudrillard, Pataphysics of Year 2000The simulation of an object in…
Captive of the Concept of the Miraculous (Between Art and Life) Miloš Vojtěchovský | performance | 01.03.2000
CAPTIVE OF THE CONCEPT OF THE MIRACULOUS (BETWEEN ART AND LIFE)
Jan Bas Ader entered art history in his final performance, which was exceptional and remarkable for two reasons. Firstly, there is no visual documentation of it (at least I have not found any). It was a peculiar and adventurous event, during the course of which Ader died at the age of 33 somewhere in the Atlantic between Europe and America. In July 1975, he set out on a small sailboat to cross…
Miloš Vojtěchovský | recenze | 01.01.2000
ASKETICKÁ EXTÁZE / (ROBERT HORVITZ, MÁNES)
Jump from Trampoline Into Fog (Job Koelewijn, Olafur Eliasson and special effects) Miloš Vojtěchovský | exhibition | 01.07.1999
JUMP FROM TRAMPOLINE INTO FOG (JOB KOELEWIJN, OLAFUR ELIASSON AND SPECIAL EFFECTS)
Po-po-pohádka — Fairy Tale Miloš Vojtěchovský | symposium | 01.07.1999
PO-PO-POHÁDKA — FAIRY TALE
Native Performer Still Lives Miloš Vojtěchovský | performance | 01.05.1999
NATIVE PERFORMER STILL LIVES
Metro and America Miloš Vojtěchovský | artist | 01.02.1999
METRO AND AMERICA
"Martin Kippenberger’s MetroNet-Connection project which he was developing several years before his death in 1997 consists in design and realization of seven sculptural installations representing architectural variations of metro entrances and exits. Each of them is, or actually was, on a different place, looks differently, is adjusted to fit the character and context of the location. All of them…
Asian Explosive Compound (Buddha’s Footprint and Contemporary Thai Art) Miloš Vojtěchovský | thailand | 01.01.1999
ASIAN EXPLOSIVE COMPOUND (BUDDHA’S FOOTPRINT AND CONTEMPORARY THAI ART)
"A legend says that ages ago Buddha allowed an eager artist to copy his silhouette after a shadow in the sand. Noticing that the artist was unable to truly capture his features, Buddha wrote a prayer in the sand and wiped off the drawing. But when Gauthama laid on his death bed (or whatever they used in India at that time) and his devoted student Ananda asked him with tears in his eyes whether…
Mongrelian Culture and Cultural Prestige or Ignorance and Filth in Digital Paradise Miloš Vojtěchovský | media | 01.06.1998
MONGRELIAN CULTURE AND CULTURAL PRESTIGE OR IGNORANCE AND FILTH IN DIGITAL PARADISE
At the recent Ars Electronica festival, the topic talked about, written about and discussed was information war flooding mass and other media. It was considered a metaphor for communication and existential way of mankind at the end of the 20th Century. From the view, technology, embodied by the holy trinity of electronics, telecommunication and computers, is living on mainly research and logic of…
Mickey Mouse, Quagga And Stink Ant Miloš Vojtěchovský | reviews | 01.01.1998
MICKEY MOUSE, QUAGGA AND STINK ANT
If a pet animal keeps nodding its head at you from behind a shop window or if at baker’s you suddenly notice a robot endlessly working plastic dough, you can but wonder about the mysteries and curves of business creativity and tricky attack on children’s imagination. An exhibition of moving and howling dinosaurs - robots in real life size that were travelling around amusement parks of Europe is…
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Přehled rubrik autora Miloš Vojtěchovský
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04.02.2020 10:17
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Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...
Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.
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