Umělec 1998/3 >> Divergence as a Common Base (Physical Logos) Просмотр всех номеров
Журнал Umělec
Год 1998, 3
2,50 EUR
3 USD
Послать печатную версию номера:
Получить подписку

Divergence as a Common Base (Physical Logos)

Umělec 1998/3

01.03.1998

Vít Havránek | reviews | en cs






Комментарии

Статья не была прокомментирована

Добавить новый комментарий

Рекомендуемые статьи

Le Dernier Cri and the black penis of Marseille Le Dernier Cri and the black penis of Marseille
We’re constantly hearing that someone would like to do some joint project, organize something together, some event, but… damn, how to put it... we really like what you’re doing but it might piss someone off back home. Sure, it’s true that every now and then someone gets kicked out of this institution or that institute for organizing something with Divus, but weren’t they actually terribly self…
Tunelling Culture II Tunelling Culture II
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
MIKROB MIKROB
There’s 130 kilos of fat, muscles, brain & raw power on the Serbian contemporary art scene, all molded together into a 175-cm tall, 44-year-old body. It’s owner is known by a countless number of different names, including Bamboo, Mexican, Groom, Big Pain in the Ass, but most of all he’s known as MICROBE!… Hero of the losers, fighter for the rights of the dispossessed, folk artist, entertainer…