DIVUS LONDON: Match to Smash Serious Culture of Bourgeoisie and White Supremacy
Match to Smash Serious Culture of Bourgeoisie and White Supremacy

Match to Smash Serious Culture of Bourgeoisie and White Supremacy

24.03.2016 15:00

DIVUS LONDON | en

starting in the middle of the Turbine Hall. Even a minute would be sufficiently symbolic. A Zone of Proletarian Development deep in enemy territory.

Read more about 3sfc: http://divus.cc/london/en/content-page/?id=101






Комментарии

Статья не была прокомментирована

Добавить новый комментарий

Рекомендуемые статьи

Nick Land – An Experiment in Inhumanism Nick Land – An Experiment in Inhumanism
Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
African Vampires in the Age of Globalisation African Vampires in the Age of Globalisation
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."
Magda Tóthová Magda Tóthová
Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…