Umělec 2008/2 >> Zuzana Vansová Просмотр всех номеров
Zuzana Vansová
Журнал Umělec
Год 2008, 2
6,50 EUR
7 USD
Послать печатную версию номера:
Получить подписку

Zuzana Vansová

Umělec 2008/2

01.02.2008

Zuzana Vansová | new face | en cs de es

Zuzana Vansová

* 7. 10 1982, Klatovy

I didn’t study at an art-oriented school. I never participated in any art competition or show. I do not aspire to revolt and I detest any efforts to arouse profound feelings in contemporary art. Despite missing out on all that, I seek out experiences of geometry and introspection. Each geometric element has its aesthetic approach that is dependent on individual experience.
I am interested in how artists decide whether to use brush or ruler, if they a person or thing, if they go into architecture or sculpture...
I label my work as isolating abstraction. I extract some aspects from the composition, removing relationships from their contexts, thus endowing them with an independent existence. I try to separate from what has been seen, and I use the simplest of visual aids: a ball point pen and a square. My experiments emerge from raw ideas that come from engaging in the unanticipated whole of the work.





Комментарии

Статья не была прокомментирована

Добавить новый комментарий

Рекомендуемые статьи

The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
Magda Tóthová Magda Tóthová
Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…
An unsuccessful co-production An unsuccessful co-production
If you know your way around, you might discover that every month and maybe even every week you stand the chance to receive money for your cultural project. Successful applicants have enough money, average applicants have enough to keep their mouths shut, and the unsuccessful ones are kept in check by the chance that they might get lucky in the future. One natural result has been the emergence of…