Umělec 2/2011 Просмотр всех номеров
TOП Ivan Mečl | comics | en cs de
We’re constantly hearing that someone would like to do some joint project, organize something together, some event, but… damn, how to put it... we really like what you’re doing but it might piss someone off back home. Sure, it’s true that every now and then someone gets kicked out of this institution or that institute for organizing something with Divus, but weren’t they actually terribly self…

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Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…

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Stefan Goldmann on why Web 2.0 can work for you but won’t for most, where all the money went and how working against the market consensus can be a winning strategy. Electronic music. What we believed for a long time was that anyone with a bit of talent had a chance at a career of about ten years before eventually retiring from the circuit. Of course there are exceptions to whom this does not…

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Журнал Umělec
Год 2011, 2
6,50 EUR
7 USD
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“The state will not help slackers and delinquents who abuse government handouts,” said the Prime Minister. If his position was not filled by an idiot without talent or feeling, he might have said: “We will help those who have been pushed to the margins of society by twelve years of irresponsible politics, who have been pushed to the self-destructive use of already low welfare payments, or who…

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In a series of writings in the 1990s, Mark Seltzer traced the development of a “pathological public sphere” characterized by the collective gathering of the public around scenes of violence, trauma, wounding, and pathology. This “fascination with the shock of contact between bodies and technologies,” Seltzer noted, “encodes, in turn, a breakdown in the distinction between the individual and the…

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Послать печатную версию журнала Umělec:
04.02.2020 10:17
Knihy, multimédia a umělecká díla, která by vás mohla zajímat Войти в e-shop
1993, 28.5 x 42 cm (10 Pages), Pen & Ink Drawing
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1 860 EUR
2 004 USD
Illustrations by Tomáš Horný (temporarily Tomas Hornley, as he’s living in Melbourne, Australia) accompanied by concise texts...
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7,85 EUR
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31.5 x 36 cm, Pen & Ink Drawing
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Limited edition of 10. Size 100 x 70 cm. Black print on durable white foil.
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75 EUR
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