Zeitschrift Umělec 2001/4 >> Marek Ther Übersicht aller Ausgaben
Marek Ther
Zeitschrift Umělec
Jahrgang 2001, 4
6,50 EUR
7 USD
Die Printausgabe schicken an:
Abo bestellen

Marek Ther

Zeitschrift Umělec 2001/4

01.04.2001

vorgestellt | en cs

"Marek Ther (b. 1977) currently studies under Vladimír Skrepl in the painting studio at the Academy of Fine Arts in Prague. He cooperated this year with Jiří Skála on the project Microfiltration (Gallery Jelení); his latest work was exhibited in the group exhibition Casino (Universal NoD) and in an exhibition in the school’s studio.
Marek Ther plays out the tension between artificiality and the natural (his older works contrast animal fur, dead flies, fake fingernails and the ecological stamp Grüne Punkt). The cultural and social function of corporeality, which is shaped by the pop-culture industry and the mechanisms of media fame, is mixed with commonplace gestures and appearances.
Cosmetics of every kind — enhancing colors and shapes (of clothing, skin, hair) — are an effective strategem in Ther’s battle against everyday filth. His attitude reveals symptoms of Warholian paranoia; even the photograph Krásná propiska (Beautiful Pen) features a carefully composed blot of muck intended to emphasize specific hygienic habits. Maria Callas, the legendary Bel Canto opera star, has become more than just an artistic alter ego for Marek Ther. The series of photographs in which Ther poses as Callas in front of her Paris home parallels his video work in which a hypothetical encounter takes place between Callas and Audrey Hepburn in the backseat of a car as it cruises slowly through the city. (A list of the clothes and cosmetics used in the video runs across the screen.) Marek Ther is working on a project of fictitious interviews with the students of Maria Callas, and very soon he will begin to learn how to sing.
"




Kommentar

Der Artikel ist bisher nicht kommentiert worden

Neuen Kommentar einfügen

Empfohlene Artikel

Im Rausch des medialen Déjà-vu. Anmerkungen zur Bildnerischen Strategie von Oliver Pietsch Im Rausch des medialen Déjà-vu. Anmerkungen zur Bildnerischen Strategie von Oliver Pietsch
Goff & Rosenthal, Berlin, 18.11. – 30.12.2006 Was eine Droge ist und was nicht, wird gesellschaftlich immer wieder neu verhandelt, ebenso das Verhältnis zu ihr. Mit welcher Droge eine Gesellschaft umgehen kann und mit welcher nicht und wie von ihr filmisch erzählt werden kann, ob als individuelles oder kollektives Erleben oder nur als Verbrechen, demonstriert der in Berlin lebende Videokünstler…
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
Nick Land, Ein Experiment im Inhumanismus Nick Land, Ein Experiment im Inhumanismus
Nick Land war ein britischer Philosoph, den es nicht mehr gibt, ohne dass er gestorben ist. Sein beinahe neurotischer Eifer für das Herummäkeln an Narben der Realität, hat manch einen hoffnungsvollen Akademiker zu einer obskuren Weise des Schaffens verleitet, die den Leser mit Originalität belästigt. Texte, die er zurückgelassen hat, empören, langweilen und treiben noch immer zuverlässig die Wissenschaftler dazu, sie als „bloße“ Literatur einzustufen und damit zu kastrieren.
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…