|
Born in 1977, Matula has studied since 1999 in Petr Kvíčala’s studio at FaVU (the Department of Fine Arts at the Technical University in Brno).
Matula’s simple concept relies on his relationship to a mutant figure, an undefined creature, strangely remote. As for Matula’s identity, he creates a whole set of different logos analogous to a wide range of commercial products. He created the company Mutant Industries for his mutant, subversively pasting the company’s logo, which features a stylized explosion throughout a number of cities. The transfer of various images to the perfunctory language of logos offers infinite possibilities to legitimately change your identity. The mutant does it visually and gently — it is as if each logo corresponded to a different identity. The artist’s next step is to put the logo on a large-format canvas, painting it by hand (the logos are all designed on the computer). The abstract, esthetic paintings, however, only represent enlarged details of yet another brand trademark.
Recommended articles
|
|
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
|
|
|
Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…
|
|
|
Goff & Rosenthal gallery, Berlin, November 18 - December 30, 2006
Society permanently renegotiates the definition of drugs and our relationship towards them. In his forty-five minute found-footage film The Conquest of Happiness, produced in 2005, Oliver Pietsch, a Berlin-based video artist, demonstrates which drugs society can accommodate, which it cannot, and how the story of the drugs can be…
|
|
|
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
|
|
Comments
There are currently no comments.Add new comment