Umělec magazine 2000/6 >> Jitka Havlíčková List of all editions.
Jitka Havlíčková
Umělec magazine
Year 2000, 6
6,50 EUR
7 USD
Send the printed edition:
Order subscription

Jitka Havlíčková

Umělec magazine 2000/6

01.06.2000

Lenka Lindaurová | new faces | en cs

Born in 1976, Havlíčková has studied at the Academy of Fine Arts in Prague since 1994, first in the drawing studio of Jitka Svobodová and then in the studio of conceptual art with Miloš Šejn.


Jitka Havlíčková takes her time, working persistently on all her projects and invariably taking a solid step towards self-reflection. Up to now her spatial drawings have been her most interesting work: hair interlacing over the surfaces of sinks and bathtubs. The three-dimensional aspect to the drawings creates the impression that they are unending stories, without a beginning or an end. The story, which unfolds either ornamentally or narratively, is not only in the drawing but also in a part of the object, which carries its own individuality and the intimate story of bathing. Her work strongly evokes physical absence and the passage of time halted at the moment of flooding water, simultaneously, within a flash, altering the important moments in life. The ephemeral nature of ideas, mood, personal stories, and everyday perceptions are aptly captured by the meticulously shaped strands of gathered hair, which belong to specific people, as do the old bathtubs and sinks. The hair drawings, created by using sugar water, are varnished and carefully maintained.




01.06.2000

Comments

There are currently no comments.

Add new comment

Recommended articles

MIKROB MIKROB
There’s 130 kilos of fat, muscles, brain & raw power on the Serbian contemporary art scene, all molded together into a 175-cm tall, 44-year-old body. It’s owner is known by a countless number of different names, including Bamboo, Mexican, Groom, Big Pain in the Ass, but most of all he’s known as MICROBE!… Hero of the losers, fighter for the rights of the dispossessed, folk artist, entertainer…
Nick Land – An Experiment in Inhumanism Nick Land – An Experiment in Inhumanism
Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.
My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy
Goff & Rosenthal gallery, Berlin, November 18 - December 30, 2006 Society permanently renegotiates the definition of drugs and our relationship towards them. In his forty-five minute found-footage film The Conquest of Happiness, produced in 2005, Oliver Pietsch, a Berlin-based video artist, demonstrates which drugs society can accommodate, which it cannot, and how the story of the drugs can be…