Umělec magazine 2001/2 >> Mori Finds Director List of all editions.
Umělec magazine
Year 2001, 2
6,50 EUR
7 USD
Send the printed edition:
Order subscription

Mori Finds Director

Umělec magazine 2001/2

01.02.2001

Vladan Šír | news | en cs

The Japanese construction tycoon, Minoru Mori, cut a deal in May with Moderna Museet director David Elliot, who will become the head of the planned Mori Art Museum at the Mori Art Center in Tokyo. In six years Elliot was able to turn the Stockholm-based museum of modern art into one of Europe’s most respected institutions. (During his tenure, incidentally, the museum organized a major exhibition of Eas-tern European art, After the Wall, in which a number of young Czech artists participated.)
Minoru Mori intends to create a lar-ge complex of office and residential buildings, with a theater, a seat for Asahi TV and several hotels, in Rop-pongi, a central neighborhood of Tokyo. The Mori Art Center of which the Mori Art Muse-um is a part will occupy the top five floors of a 54-floor office high-rise in Roppongi Hills, as the complex is called. The total area of the museum exceeds 6,000 square meters. The top floors will house galleries boasting views over the city while lower floors will feature shops and conference halls.
The new office space will represent a step up for Elliot, as the Center will be the first Japanese institution of the size of MoMA in New York, or the Centre Georges Pompidou in Paris. Moreover, the museum is a private entity and Elliot will be fully responsible for the exhibition program, including any accompanying events, and for the development of the art collection.
The Museum will focus on modern and contemporary art, architecture and design. Elliot is set to cooperate closely with MoMA, and indeed, the opening exhibition will present art from the second half of the 20th century with reference to a similar exhibition recently on display at MoMA. Aside from the exhibitions, there are plans for the Mori Art Center to organize an international biennial of contemporary art, as well as residencies for artists and projects for public space.
The Museum’s operations will be supervised by an international committee of advisors, including Glenn Lowry of MoMA, Wenzel Jacob, director of the Kunst- und Ausstel-lungs-halle in Bonn, Alfred Pacquement, director of the national museum of modern art in the Cen-tre Georges Pompidou, Norman Rosethal of the Royal Academy of Arts in London, Peter-Klaus Schus-ter of Staatliche Museen zu Berlin and Nicholas Serote, director of the Tate Museum in London.
David Elliot’s successor will be appointed by the Swedish government. The Mori Art Center will open at the beginning of 2003.
Vladan Šír





01.02.2001

Comments

There are currently no comments.

Add new comment

Recommended articles

Magda Tóthová Magda Tóthová
Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…
Tunelling Culture II Tunelling Culture II
An unsuccessful co-production An unsuccessful co-production
If you know your way around, you might discover that every month and maybe even every week you stand the chance to receive money for your cultural project. Successful applicants have enough money, average applicants have enough to keep their mouths shut, and the unsuccessful ones are kept in check by the chance that they might get lucky in the future. One natural result has been the emergence of…
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…