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Jiří Ptáček | commentary | 01.02.2005
IBCA – PRAGUE BIENNALE 2: TWO VISITS AT ONCE
At the beginning of the year, Oliver Kielmayer, a Swiss publisher, arranged a meeting in the Umělec editorial office. He wanted some consultation. He had accepted an offer from the Prague National Gallery to curate the International Biennale of Contemporary Art (IBCA). He said he had no idea he would be entering a chaotic quarrel between the IBCA and Prague Biennale 2. The IBCA is organized by…
Revolution in Romania Jiří Ptáček | commentary | 01.04.2004
REVOLUTION IN ROMANIA
The National Museum of Contemporary Art (MNAC) in Bucharest lies in a bizarre place. The memory of one of the biggest architectonical eccentricities of late communism, Ceauşescu’s palace, House of the People can not be so easily erased. Even when a democratic parliament moves in there from one side and the museum of contemporary art from the other, its genius loci breathes down at you right at…

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Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...
Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.
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