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A View on Globalization at the Slovinian pavilion in Venice Nataša Petrešin | news | 01.03.2001
A VIEW ON GLOBALIZATION AT THE SLOVINIAN PAVILION IN VENICE
The prevailing multicultural tendencies of late postmodernism and its pluralist aesthetics have ultimately merged into the globalized world of new technology, interaction and speed that McLuhan envisioned years ago. Although our existence today is confronting the climax of the capabilities that the post-human world is offering — the mess of total alienation through new media and painful…
Loops of Cycles (Chen Zhen) Nataša Petrešin | china | 01.04.2000
LOOPS OF CYCLES (CHEN ZHEN)
Contemporary art has long been consciously oriented towards art produced in Europe and the USA. On the other hand, recent events in other cultures slipping through the membrane of the contemporary art scene are certainly signs of general globalization and the logical progress of expanding borders. The curator Hans-Ulrich Obrist, for example, has already revealed the frequent presence of Asian…
Nataša Petrešin | recenze | 01.02.2000
SVĚTLO JAKO JEDNOTKA MÍRY (...INCOMMENSURABILIS)

Přehled rubrik autora Nataša Petrešin
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04.02.2020 10:17
Slavka Kneppo:
Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...
Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.
Star Wars, I.
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