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Tomáš Pospiszyl

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Přehled příspěvků autora Tomáš Pospiszyl

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Dough Tomáš Pospiszyl | focus | 01.07.1999
DOUGH
Developing capitalism has brought about many a new thing. One of the novelties includes brand new perception of money. It is as if it had higher value all of a sudden, its power and magic in our wallets and on our bank accounts is increasing. While before, culture fought against political suppression, it now complains of lack of funds. The link between art and money has always been and still is…
Hell’s Conqueror Tomáš Pospiszyl | africa | 01.05.1999
HELL’S CONQUEROR
If we get sick of Western art, we might take a look at Africa for a change and refreshment. Africa is a lucky continent as they don’t have museums of contemporary art there with the exception of a few places. African art’s advantage is that there is no market as we it from so called developed world. This developed market is, however, trying to find its ways to the black continent. We do hear…
Tomáš Pospiszyl | reviews | 01.04.1999
THE STUBBORN’S RECIPE BOOK
The art group Stubborn’s showing in 1987 significantly influenced Czech art of this century’s last decade. It was as if a new era opened up with the Stubborn and other artists of their generation. That is what we thought at least during their first exhibition at the Popular House in Prague’s Vysočany twelve years ago. Even though the Stubborn have not existed as a group for several years now,…
Tomáš Pospiszyl | opinions | 01.03.1999
SEVEN THESES ON THE CRISIS OF CZECH ART
"1. The current crisis is manifested by the fact that the Czech Republic has produced a very limited number of strong and interesting works of art in recent years.2. It is imperative to realize that this crisis is not exclusively derived from the conditions in the general society and economic hardships but it arises from the very situation in the arts.3. Self-complacency is the prevailing…
“Shut up or I’ll blow Your Brains Out! Tomáš Pospiszyl | animation | 01.03.1999
“SHUT UP OR I’LL BLOW YOUR BRAINS OUT!
It’s been almost a year since my friend Roxanne from California paid me a visit. She was going to stay with me and my girlfriend and was ensuring us over the phone that she would be no trouble, plus she would bring a very special present to us. “It’s Toy Porno,“ she said, “I’m sure that particularly you guys will enjoy it.“ I didn’t want to come across as a prudent person and kept doubts whether…
Tomáš Pospiszyl | china | 01.01.1999
LONGING TO BECOME AMERICANS
In mid-August 1998, a gallerist and curator from New York paid me a visit at the National Gallery in Prague. It was his first time in town and first time in Central and Eastern Europe. His gallery is exclusively focusing on Asian art and he himself is Chinese by origin, born and educated in the United States. I showed him our collection of Czech art (he was not in the least interested in early…
Tomáš Pospiszyl | new york | 01.01.1999
HOT IN NEW YORK
Tomáš Pospiszyl | výběr | 01.01.1999
KVĚTINOVÁ VÝZDOBA KURTA GEBAUERA
A Holiday Visit or Frustration? (Supermarket Merchandise as Museum Art) Tomáš Pospiszyl | analysis | 01.05.1998
A HOLIDAY VISIT OR FRUSTRATION? (SUPERMARKET MERCHANDISE AS MUSEUM ART)
"“I’m all lost in the supermarket, I can no longer shop happily...“, sings the British punk band The Clash. Although it is one of my favorite songs, I started to understand its atmosphere and text better only in recent years. Before 1989, it was indeed difficult to get lost in a store full of goods. Now it is no longer so difficult. Getting lost in a supermarket comes about in a moment when we…
Tomáš Pospiszyl | exhibition | 01.04.1998
CRITICS AND THE LAUREATE
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Přehled rubrik autora Tomáš Pospiszyl

04.02.2020 10:17
Books, video, editions and artworks that might interest you Go to e-shop
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6,50 EUR
7 USD
2001, 17.8 x 22.9 cm, Painting on Canvas
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555,60 EUR
591 USD
Print on art paper from serie prepared for "Exhibition of enlarged prints from Moses Reisenauer’s pocket Ten Commandments"....
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290 EUR
308 USD
nteriér / dílna rypadla KU 800 u povrchového hnědouhelného dolu Chabařovice, 2000, 300 x 150 cm, print on vinyl
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720 EUR
765 USD

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