Pilot Internet Radio Station
This summer, the Center for Contemporary Art in Prague will inaugurate broadcasting of an Internet Radio Station with the mission of providing a wide sampling of the arts and media currently taking place in the country. The content will focus on issues dealing with the local art community, social and political issues, investigative journalism, and innovative educational methods. The content and interactive on-line broadcasting will offer an alternative to commercial and state controlled radio networks. An archive based production label will be one element of the development in the project, which would be devoted to the presentation and distribution of local cultural events, non-commercial recordings and texts. Participants in the initiative group envision music, video, performance and images presented in conjunction with essays and in spoken word—current events, art theory, and social and political commentary.
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There’s 130 kilos of fat, muscles, brain & raw power on the Serbian contemporary art scene, all molded together into a 175-cm tall, 44-year-old body. It’s owner is known by a countless number of different names, including Bamboo, Mexican, Groom, Big Pain in the Ass, but most of all he’s known as MICROBE!… Hero of the losers, fighter for the rights of the dispossessed, folk artist, entertainer…
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Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…
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Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.
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An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
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