Revista Umělec 2000/3 >> Cooking—an Internet Project Lista de todas las ediciones
Revista Umělec
Año 2000, 3
6,50 EUR
7 USD
Enviar la edición impresa:
Suscripción de orden

Cooking—an Internet Project

Revista Umělec 2000/3

01.03.2000

media | en cs

If you leave your recipe at the www.avu.cz/~cooking, you may be witness to its realization during an Internet broadcast party in NoD Gallery at the Roxy in Prague on September 20.
Food is the most material thing imaginable; it is perceived and valued on the basis of the stimulation of all our senses: sight, hearing, touch, taste and smell. It is even so essential that we often forget its significance, the number of symbols, cultural signs and stories it carries.
The Cooking project, the process of collecting the recipes and recreating the food according to them, should allegorize experience with information and the telepresence of new media.
A recipe is the abstraction of the food, the tool for its immortality. A participant in this project sends the recipe via computer where it is transformed into binary units, and then becomes readable e-mail again. Later it evolves into the food.
A recipe obtained through the Internet carries no celebrated values or certificate of origin, nor is there any confirmation of being realized. It can turn out to be a fiction, a dream, a wish, an experiment or a set of instructions that can not be realized because of technical problems (if the process of cooking doesn't happen as described) or a misunderstanding (mistakes made by the transmission of the abstraction—the information).
Cooking with these recipes is a magic recreation—fulfillment of the imaginary. The final product is a version of the intended food (the authenticity of this version depends on how successful the food's transmission was as a recipe) and can experience confrontation with the original creator via the live transmission which is streaming the party where participants consume the results of the whole process.





Comentarios

Actualmente no hay comentarios

Agregar nuevo comentario

Artículos recomendados

Nick Land – An Experiment in Inhumanism Nick Land – An Experiment in Inhumanism
Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.
African Vampires in the Age of Globalisation African Vampires in the Age of Globalisation
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
Terminator vs. Avatar: Notes on Accelerationism Terminator vs. Avatar: Notes on Accelerationism
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…