Revista Umělec 2001/2 >> Party in Vienna Lista de todas las ediciones
Revista Umělec
Año 2001, 2
6,50 EUR
7 USD
Enviar la edición impresa:
Suscripción de orden

Party in Vienna

Revista Umělec 2001/2

01.02.2001

Vladan Šír | news | en cs

"Following 15 years of planning and construction, the ambitious project MuseumsQuartier, a new museum quarter in Vienna, is nearing completion. The beginning of June saw the opening of the Vienna Kunst-halle, which has moved into the neighborhood from its former home in the White Cube on Karlsplatz. The building that had been home to the Kunsthalle since 1992 will be reconstructed, wrapped in glass and from January 2002 will serve as the Kunsthalle’s “project space.”
The Kunsthalle’s premier hall held its first exhibition, A Baroque Party, which presented the Chapman brot-hers, Wim Delvoye, Ulrike Gros-sarth, Yvonne Rainer, Sam Taylor-Wood and Paul Thek. The theme reflects the ubiquity of the Baroque in Vienna and suggests that the Kunsthalle, a house for contemporary art, is trying to find a way to deal with its new location among the museums of tobacco and natural beauty. Curators Sabine Folie and Mi-chael Glasmeier say that the exhibiting artists “throw a bridge between Baroque ideas and concepts and art-making positions of today.” They intend to prove that the 17th century has not only outlived historical facades but that it plays a significant role in contemporary art. The Chapman brothers, like the Baroque artists, capture the horror of life on earth; Wim Delvoye deals with the idea of a human body as a machine; Paul Thek focuses on rites of passage and ritual, and Sam Taylor-Wood plays out allegorical stories in the form of panoramic rooms. Accompanying the exhibition are a number of events, the biggest of which will come reeling out on June 30 under the title “Party Baroque” — a house party in Kunsthalle’s E and G blocks as part of the Europride 2001 campaign. A Baroque Party will be open until September 16.
Shortly before the official opening of the Kunsthalle, an exhibition of Steve McQueen’s film projects opened: It will be on until August 19. The fall program will include the exhibitions Flash Afrique (from September 7), Televisions (from October 12), and Ro-bert Adrian X (from November 30).

Vladan Šír
"





Comentarios

Actualmente no hay comentarios

Agregar nuevo comentario

Artículos recomendados

Le Dernier Cri and the black penis of Marseille Le Dernier Cri and the black penis of Marseille
We’re constantly hearing that someone would like to do some joint project, organize something together, some event, but… damn, how to put it... we really like what you’re doing but it might piss someone off back home. Sure, it’s true that every now and then someone gets kicked out of this institution or that institute for organizing something with Divus, but weren’t they actually terribly self…
Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy
Goff & Rosenthal gallery, Berlin, November 18 - December 30, 2006 Society permanently renegotiates the definition of drugs and our relationship towards them. In his forty-five minute found-footage film The Conquest of Happiness, produced in 2005, Oliver Pietsch, a Berlin-based video artist, demonstrates which drugs society can accommodate, which it cannot, and how the story of the drugs can be…
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
Magda Tóthová Magda Tóthová
Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…