Revista Umělec 2006/2 >> The Revolution of Dwarves II. Lista de todas las ediciones
The Revolution of Dwarves II.
Revista Umělec
Año 2006, 2
6,50 EUR
7 USD
Enviar la edición impresa:
Suscripción de orden

The Revolution of Dwarves II.

Revista Umělec 2006/2

01.02.2006

Dmitrij Desaterik | history | en cs

Interview with Major Dwarf

The first escapade in your life was…

I was a school student then. Once I said that I would not participate in the May Day Demonstration as it was voluntarily. There was a scandal. On May 1, I took some medicine drops from a small bottle. I approached a platform, where political figures were standing and told a security guard that I brought drops for heart ailment for my father who is on the platform as he needed them. I was allowed to enter. They set their eyes on me for some time, but I approached some man and began to discuss the weather with him. They thought that he was my father. The demonstration went on; some workers were throwing flowers onto the platform. I picked the flowers up. Then an announcer said my that school was on the way. I told people on the platform that my fellows were coming and I had to greet them. I was between Soviet and Polish officers and began to throw flowers. People from my school were shocked. However, our principal turned out to be very smart as he later told that I was a young journalist and was invited to ascend the platform.

How old were you?

Eighteen. That was the beginning. Then we helped opposition a little, however I found that all funny. For example, counterspies were after me... When seksots followed opposition activists the latter were nervous. But I was laughing. In the period of Solidarity, we organized New Culture Movement at the university. I wrote a manifest of socialist surrealism, in which I declared myself to be a successor of the communist classics and stated that socialist realism had been replaced with socialist surrealism. Everything that takes place in socialist surrealism, even a policeman patrolling the street, is a work of art... During strikes, we issued a satirical newspaper entitled Orange Alternative. Strike organizers wanted to remove us somehow because we made fun of them too.

When did the dwarves appear?

When General Jaruzelski introduced martial law and people wrote slogans on the walls, which were then painted over. There were lots of paint stains. And we began to draw dwarves over those stains. After Chernobyl, real dwarves appeared on the streets. Before that I had distributed leaflets saying that dwarves were seen downtown. The dwarves grew up because they had eaten Chernobyl mushrooms. The leaflets asked people to greet the dwarves. Of course townspeople came, but most of them were policemen. We prepared many interesting things but the police arrested the dwarves. That was funny.

You were going to endow all nationals with toilet paper...

Yes, we made a leaflet saying that we would give out toilet paper. The police came again. They began to search people’s bags to see if there was any toilet paper. They chased after me as I made off on a bicycle covered with strips of toilet paper and they could not catch me. I forgot that the bicycle was without brakes, gathered speed, and rode into a police car. The policemen were so nimble that they caught me in flight. The one who interrogated me asked if I was not ashamed to look like that. I answered that I did a happening. He wrote that down and later, on his way home, he bought a plinth. The other officer asked, “Where are you going with this plinth?” The policeman answered, “I am going downtown to do a happening.”

Why the dwarves?

At that time, I was wondering what to do to those stains that were almost everywhere, and the thought burned in my head. I drew just to cover the stains with something. Later, during a street happening, we put on dwarf hats. The police managed to make our actions impossible. Then next time we distributed our hats. I thought that the police would take the hats off but they took not the hats but people in those hats! We repeated the actions and each time more and more people put on those hats. And each time, there were more and more policemen. As a result, people ceased to be afraid of the police and a shock of the martial law was over.

So, the police were part of your actions?

Yes! Oh, we even organized the Day of Seksot. One time, when the policemen again detained me, they were complaining, “Why do you always interpret us as a crowd in your actions? It is dishonorable to treat us like that. We also have some spiritual life!” Then, they asked what the next action would be. I answered – as if they had prompted it – that I would organize International Seksot Day. I would invite you, the KGB, the FBI... They were outraged, “Not the FBI! You should be happy that in Poland you have such seksots as us who let you organize such actions. If you invite the FBI you will have no chance.”

Was that Seksot Day a success?

Some of us wore black glasses, others had newspapers with eyeholes. I came in a black hat and was dressed as a Czarist intellectual. The funniest thing was that some people were trying to behave like real seksots. The police were confused as they did not know which of them were real and who were not! Those in black glasses apparently were not real but others were not so easy to distinguish. Besides, they asked real agents to show their papers and led the police as real agents, “Take this one, take that one!” They turned everything upside down.

Which of your actions do you remember best of all?

It was when I dressed up in women’s clothes. The probem was as soon as the police noticed me they immediately rushed to catch me. And I dressed myself up to be unrecognizable: a wig, powder, high heels. I went out of doors and took out a small fife. There also were people in different costumes – some cosmic creatures. And here I begin to play the fife. Two police officers approached and said, “Lady, please go home and play there. I was silent in order not to let them hear my voice and understand who I was. Finally, they lifted me holding under the arms and brought me into their car. They were malicious and wanted to put me down in the middle of a puddle. I somehow wiggled out. They said, “You don’t want to dampen your ass, baby doll?” And added, “So old and so dull.” I was so nervous and answered, “You, boors, how are you talking to a lady?” One of them looked closely at me and shouted, “Ah, it’s a pederast!” He called a driver, “Look, we have a pederast here.” The driver looked at me and answered him, “Something’s wrong with you.” And I winked towards him pulling down my skirt… The first one cried at me, “Say something!” And I went on showing off in silence. Suddenly, the second one shouted, “You are talking nonsense and all my cosmic creatures have run away!”

How did they register you at the police station? As a man or woman?

They were so confused that forgot to take my documents so I simply walked out and that’s all. That was the only time in my life that I felt myself a woman. That was impressing.

You seem not to know fears.

If I ever felt fear it was not a fear of being arrested. I was much more afraid of lack of props, or worried if someone would forget to bring something or would not come. Such fears of aesthetic character were much stronger that fears of the police.

Is Orange Alternative still active as a movement?

Only some individuals. The team of the 80s broke apart. Some of them created a group entitled Performed Cocks. That was a catastrophe for me because I know them as serious people, professionals; and suddenly, they begin to behave like children of sixteen. It is hard to contact them and the music they make is not so good. It’s a pity also that they do not want to work with young people to share the experience, which all of them have. I think that they failed to make something when they were young punks... This is why they now return to this.

Wroclaw looks like a legendary place: Grotowsky’s theater, your movement…

- Now in Wroclaw’s downtown there are restaurants. No Grotowsky, no Tomaszewsky’s great pantomime theater, I am not there either. It is a provincial town now. In Wroclaw, the majority of houses belong to the municipality and the authorities have all the power to do whatever they want. Once they organized an exhibition of Orange Alternative unknown to me. They did not know about the Internet. So, there was a scandal, I wrote a letter to the mayor. Then, they held a Dwarf Exhibition. They said that those were Maria Konopinska’s dwarves and not only Major’s. They published my posters not knowing that I had created them. They again disgraced themselves. I tried to improve the situation; talked to the mayor who every time sent me to some other chiefs. Now they probably feel completely hurt by me because I wrote a book, which is not entirely about them - it is a humoristic book - in which I say that they begin to use Orange Alternative for an advertising campaign. But they do not want me to have influence on it. Why? They have a budget and they want to share the money between them. The old Wroclaw no longer exists. This again proves that people must not have too much power.
As far as I know there is the monument to a dwarf in Wroclaw. What would a monument to Major look like?

Someone has already projected one. A pedestal with me sitting on the brink. I have a beard and wear a hat. It is inevitable, I think. However, I hope for a long life. I do not want this monument to appear but have no influence. Its none of my business. It is of those people who will live in the future. If I become a spirit I will not scare people as a dreadful ghost... I want to make monuments not to myself but to other dwarves in other places. By the way, it could be good to make one in Kiev: a dwarf who is appearing from an orange.





Comentarios

Actualmente no hay comentarios

Agregar nuevo comentario

Artículos recomendados

No Future For Censorship No Future For Censorship
Author dreaming of a future without censorship we have never got rid of. It seems, that people don‘t care while it grows stronger again.
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
Contents 2016/1 Contents 2016/1
Contents of the new issue.
Malvado Malvado
“La persona debe sacudir tres veces la mano de alguien mientras mantiene fijamente la mirada en sus ojos. Así es como es posible memorizar el nombre de una persona con certeza. De ésta forma es como he recordado los nombres de las 5000 personas que han estado en el Horse Hospital”, me dijo Jim Holland. Holland es un experimentado cineasta, músico y curador. En su infancia, sufrió al pasar por…
04.02.2020 10:17
¿A dónde ir ahora?
fuera
S.d.Ch, Solitarios y Cultura Periférica   (una generación nacida alrededor de 1970)
S.d.Ch, Solitarios y Cultura Periférica (una generación nacida alrededor de 1970)
Josef Jindrák
¿Quién es S.d.Ch? Una persona de muchos intereses –activa en varios campos- la literatura, el teatro, conocida por sus cómics y sus collages en los campos del arte. Un poeta y dramaturgo principalmente. Un solitario por naturaleza y determinación, su trabajo no se encajona en las corrientes actuales. Siempre antepone la enunciación personal, incluso cuando su estructura interna puede volverse…
Leer más...
fuera
Revista THC: Revisitando el Condenado Pasado
Revista THC: Revisitando el Condenado Pasado
Ivan Mečl
¡Somos el quinto partido político global! Pítr Dragota ys Viki Shock, Fragmenty geniality / Fragmentos de carisma, mayo y junio de 1997. Cuando Viki llegó de visita, fue solamente para mostrarme algunos dibujos y collages. Sólo como un pensamiento tardío me mostró la publicación checa de finales de los noventa, THC Review. Cuando vio cuánto me fascinaba, le entró el pánico e insistió que…
Leer más...
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Leer más...
Dolores de parto
¿A quién le asusta la maternidad?
¿A quién le asusta la maternidad?
Zuzana Štefková
La pluralización de las definiciones de “madre“ es, a un tiempo, un lugar de represión recrudecida y de liberación potencial. (1) Carol Stabile Corría el año 2003 y una mujer en avanzado estado de embarazo estaba de pie al borde del camino en el matorral del bosque Lapák de Kladno. En el marco de la exposición Artistas en el bosque, los transeúntes podían vislumbrar el destello de su vientre…
Leer más...
Libros, video, ediciones y obras de arte que podrían interesarle Ir a la tienda virtual
Pohled na zámek Jezeří ze svahů Krušných hor, 2016, 225 x 150 cm, print on vinyl
Más información...
580 EUR
598 USD
collection dos carré-collé / compilation des 4 carnets d'art pute + APC 5 / offset, couv sérigraphie / 32 x 25 x 1,5 cm
Más información...
35 EUR
36 USD
2002, 17.8 x 22.9 cm, Painting on Canvas
Más información...
555,60 EUR
573 USD
From series of rare photographs never released before year 2012. Signed and numbered Edition. Photography on 1cm high white...
Más información...
220 EUR
227 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Cita del día El editor no se responsabiliza por los estados físicos o mentales que puedan generarse después de leer la cita

Enlightenment is always late.
Contacto e información del visitante Contactos de la redacción

DIVUS
NOVÁ PERLA
Kyjov 36-37, 407 47 Krásná Lípa
Čzech Republic

 

GALLERY
perla@divus.cz, +420 222 264 830, +420 606 606 425
open from Wednesday to Sunday between 10am to 6pm
and on appointment.

 

CAFÉ & BOOKSHOP
shop@divus.cz, +420 222 264 830, +420 606 606 425
open from Wednesday to Sunday between 10am to 10pm
and on appointment.

 

STUDO & PRINTING
studio@divus.cz, +420 222 264 830, +420 602 269 888
open from Monday to Friday between 10am to 6pm

 

DIVUS PUBLISHING
Ivan Mečl, ivan@divus.cz, +420 602 269 888

 

UMĚLEC MAGAZINE
Palo Fabuš, umelec@divus.cz

DIVUS LONDON
Arch 8, Resolution Way, Deptford
London SE8 4NT, United Kingdom

news@divus.org.uk, +44 (0) 7526 902 082

 

DIVUS BERLIN
berlin@divus.cz


DIVUS WIEN
wien@divus.cz


DIVUS MEXICO CITY
mexico@divus.cz


DIVUS BARCELONA
barcelona@divus.cz

DIVUS MOSCOW & MINSK
alena@divus.cz

SUSCRIPCIÓN AL NEWSLETTER DE DIVUS
Divus We Are Rising National Gallery For You! Go to Kyjov by Krásná Lípa no.37.