|
Jindra (b. 1978) studied at the Applied Arts College in Prague, in the Illustration and Graphics Studio of professor Jiří Šalamoun, from 1997 – 2000.
Michal Jindra is impossible to categorize due to the number of genres he works in. His work could be described as either outsider art or the product of a psychologically disturbed individual, perhaps an extraterrestrial. He makes it difficult to estimate the extent to which this is due to his confused imagination, his thought processes or the untamed clamor of his subconscious. Probably all of the above blend together in the creation of his psychedelic and intelligent, original works. His comics and cartoons are typical for their childlike style, dominated by deliberate color schemes and composition tricks. Jindra uses an innocent black humor, which gives his infantile works almost terrifying dimension. The stories seem ambiguous, but they inherently radiate the hope that good will triumph over evil. Sci-fi elements in Jindra’s work are the result of his extra-social cognition rather than any tendentious factors. It is interesting to follow Jindra’s development, which can be best described as apocalyptic. It’s a shame that he was thrown out of art school.
Рекомендуемые статьи
|
|
Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.
|
|
|
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."
|
|
|
There’s 130 kilos of fat, muscles, brain & raw power on the Serbian contemporary art scene, all molded together into a 175-cm tall, 44-year-old body. It’s owner is known by a countless number of different names, including Bamboo, Mexican, Groom, Big Pain in the Ass, but most of all he’s known as MICROBE!… Hero of the losers, fighter for the rights of the dispossessed, folk artist, entertainer…
|
|
|
Borrowing heavily from fairy tales, fables and science fiction, the art of Magda Tóthová revolves around modern utopias and social models and their failures. Her works address personal and social issues, both the private and the political. The stylistic device of personification is central to the social criticism emblematic of her work and to the negotiation of concepts used to construct norms.…
|
|
Комментарии
Статья не была прокомментированаДобавить новый комментарий