Umělec 1997/3 >> Ready for the Venice Biannial Просмотр всех номеров
Журнал Umělec
Год 1997, 3
2,50 EUR
3 USD
Послать печатную версию номера:
Получить подписку

Ready for the Venice Biannial

Umělec 1997/3

01.03.1997

autoři projektů | biennial | en cs

The 101st international Biannial Exhibition in Venice is to start off yet another stereotypical art masquarade in June without which the „art world“ just cannot live. This year´s theme is just as vague as the ones before: Past, presence and future. This gives the national pavilions a chance to present anything. The Czech presentation has been doing so with good portion of gortesqueness for years.
At the last minute this year, a competition was announced addressing specifically five artists: David Černý, Ivan Kafka, Vladimír Kokolia, Jiří Příhoda and Kateřina Vincourová. The committee, including Petr Nedoma (The Rudolfinum Gallery direktor), Věra Jiroutová (Lidové noviny art critic), Miloš Vojtěchovský (curator of the National Gallery´s modern and contemporary art collection), Kurt Gebaurer (teacher at the Applied Arts Academy) and Dagmar Šefčíková (from the Culture Ministry), selected Ivan Kafka´s project.
These are the preconditions. Wat the result is gong to be like is hard to estimate.





Комментарии

Статья не была прокомментирована

Добавить новый комментарий

Рекомендуемые статьи

Wicked / Interview with Jim Hollands Wicked / Interview with Jim Hollands
“A person must shake someone’s hand three times while gazing intently into their eyes. That’s the key to memorizing their name with certainty. It is in this way that I’ve remembered the names of 5,000 people who have been to the Horse Hospital,” Jim Hollands told me. Hollands is an experimental filmmaker, musician and curator. In his childhood, he suffered through tough social situations and…
No Future For Censorship No Future For Censorship
Author dreaming of a future without censorship we have never got rid of. It seems, that people don‘t care while it grows stronger again.
Tunelling Culture II Tunelling Culture II
Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy
Goff & Rosenthal gallery, Berlin, November 18 - December 30, 2006 Society permanently renegotiates the definition of drugs and our relationship towards them. In his forty-five minute found-footage film The Conquest of Happiness, produced in 2005, Oliver Pietsch, a Berlin-based video artist, demonstrates which drugs society can accommodate, which it cannot, and how the story of the drugs can be…