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Alena Boika

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	Alena Boika \| art and politics \| 01.02.2005
	MARAT GELMAN: THE ART OF POLITICAL PROVOCATION - A STORY IN THREE PARTS, WITH EPILOG AND A REFERENCE
	The First Moscow Biennale opened in Moscow. Revolution took place in Ukraine. In both cases a name of Marat Gelman, the only gallerist among policymakers and the only policymaker among gallerists, is mentioned. He spent several years in the labyrinth of high policy only slightly revealing his presence in art life. And now he is back. Exhibition-declaration Russia-2 was represented among the…

	Alena Boika \| guerillas \| 01.02.2005
	BELARUS -GERMANY :FORBIDDEN LOVE
	Particularly populist and eternally partisan, this subject is intimately associated with contemporary Belarusian art. It cannot be disregarded that partisans always appear together with the enemy—the one against whom they can carry out their raids. German fascist invaders were the most recent visible and real enemy. Notwithstanding the seeming remoteness of events, new technologies, appearances…

	Alena Boika \| Belarus \| 01.04.2004
	MADE IN BELARUS
	Konstantin Goretsky, a modern Belarusian artist, who works in different media such as painting, photography, and posters, created in 1987 a group of independent artists called KOMI-KON, that realized a number of significant projects among which was, Evacuation Plan. In 1996, he organized a musical and artistic salon, In an Attic, which hosted free art exhibitions and concerts for several years…

	Alena Boika \| info \| 01.04.2004
	MOSCOW CASE: FROM DIALECTICS OF HOPE TO A CHRONOLOGY OF HOPELESSNESS
	The First Moscow Biennale with a meaningful name Dialectics of Hope will open on January 28, 2005. This first one will be the most scandalous one. The scandal is associated with the two most prominent curators Viktor Miziano and Joseph Backstein. Initially, both names were among the head curators. Then, it turned out that Miziano was absent from the curatorial group. On May 22, 2004, it became…

	Alena Boika \| Belarus \| 01.04.2004
	MIRED IN BELARUS - A CROW SLEEPING ON A FENCE DEFECATES ONTO PEOPLE’S HATS
	During decades, a rigid ideology, which created a wide field for the artistic game, reigned over this territory. The system was there for realistic illustrations, for resistance within the permitted underground frameworks, or for manifold artistic irony. The system was habitual. When this rigid generating system disappeared, some confusion took its place: who is to fight against, who is to resist…

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“	Enlightenment is always late.