Umělec 4/2002 | Просмотр всех номеров | ||||
This is one of those events about which it is not easy to say: I like it. The “Peace Wall” area, close to Falls Street in Belfast: a system of fences and gates. Fences dividing “problematic neighborhoods” Fences showing that the estimated amount of hatred came up shorter than expected. The original height of the fences was not sufficient and it became necessary to raise the upper edge, to build…
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Aš menininkas — Aš save myliu Vincent van Gogh in one letter to his brother described a café as a place where one could easily go insane. The café in the Center for Contemporary Art (CAC) in Vilnius is such a place. Insider connoisseurs of the local scene consider it “very bohemian” and, indeed, in contrast to traditionally lackluster and overpriced eateries in museums, the atmosphere in the CAC…
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To a native born Middle European, nursed in the “heart of Europe,” it will surely seem strange how far the “Center,” to which he automatically indorses himself, can be moved. It seems that a hidden war of “middles” is happening in Europe - cultural, purely optical and also geographical, measured by engineers. Whoever searches finds. So it is no surprise that in Lithuania they make cogent…
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Interpreters of a state in time (interview with Dušan Mandič and Roman Uranjek: members of Irwin)
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q & a
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Vjera Borozan a Michael Ivaniškin
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The project Wunderland offers mines an alternative to disappearing mineral resources. Art is an amalgam that can fill in the worm holes in the earth, as well as the cultural atmosphere of society, whose existence was based on the mining of minerals. The curators are Ulf Robe, David Waliker and Jiří Surůvka, who are also participating as artists. Other exhibitors include Asa Andersson Broms, Peter…
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