Born in 1978, Kalinová currently studies at Peter Rónai’s Intermedia and Conceptual Tendencies Studio at the Fine Arts Faculty at the Technical College in Brno. Originally trained as a painter, Jana Kalinová focuses on conceptual objects, which seem almost to fall from her hands. Their striking creative and ironic nature makes them stand out among works by other young artists. Her objects give the impression that Kalinová is simply pulling them out of her own private well with the expression of a person who knows that the well is bottomless. One of her most distinctive works includes a set of wooden light bulbs, floor lamps, cookers and heaters, which only proves how easy it is to make good art. The revived, negative of a fire extinguisher evokes a visit by extra terrestrials at Kalinová’s home, which is also the case with the color-copied towels. Jana Kalinová works with time as well as against it: for example, her model of a TV set from the 1970s.
Recommended articles
|
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
|
|
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."
|
|
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
|
|
Comments
There are currently no comments.Add new comment