Umělec magazine 2010/1 >> The places and movements of Vacláv Bělohradský List of all editions.
Umělec magazine
Year 2010, 1
6,50 EUR
7 USD
Send the printed edition:
Order subscription

The places and movements of Vacláv Bělohradský

Umělec magazine 2010/1

01.01.2010

Tereza Stockelová | en cs de

Several observations from the late modern era

In Prague, Václav Bělohradský moves among many places, contexts, and generations. A column in a newspaper or an essay in its cultural section, the occasional university course or advising student theses, a television debate, lecture, a discussion with politicians. In the early 1990s, when Bělohradský began to travel regularly to Prague from Italy, where he has been living since 1970, he was primarily active as a liberal on the right-hand side of the political spectrum. He believed in a standard parliamentary system and “capitalism and civic virtues” – the title of his book composed of newspaper columns – and energetically promoted them all. At the same time, he provoked his academic colleagues with his post-modern operations. At a time when many had been hoping that they could finally establish the social sciences and humanities on solid non-political foundations, they learned that the foundations are no more than loose sand and that politics is everywhere. In the second half of the 1990s, Bělohradský lost faith not only in post-socialist capitalism, but in capitalism as such; he “became a dissident again.” Capitalism today is incapable of solving our problems (the environment, global inequality); in fact, it is at their core. Instead of writing columns for right-leaning newspapers, he began to write essays for the cultural sections of a left-wing paper, some of which can be found in his book Society of Uneasiness. In the 2006 elections, he supported the Green Party, saying that he hoped it would remain something between political party and social movement. In Prague, Václav moves purposefully, independently, and quickly. Prepare, conclude, inspect, meet, appraise, formulate. When we meet for a beer, he soon has to run off to somewhere else.
Václav Bělohradský’s second home is in Italy, where he spent more than 20 years at the University of Genoa. Today, he is in Trieste and Gorizia, where I had the chance to see him while attending a conference at the local university. I remember him showing me around Gorizia on the frame of a bicycle, having breakfast at a café (reading the newspaper, croissant and cappuccino, with Václav later ordering a piccolo without milk and pouring it into his cappuccino cup, as if not wanting to waste the last remains of milk stuck to the sides), the students in the street and the way life revolved around the university, defined by its atmosphere and time. (Václav once told me that when he comes to a new town, he always first goes to look at the university, which he then uses as his reference point.) There also is the disgust with the Berlusconization of Italy, the expansion of universities into degree-factories and its excessive accommodating of regional governmental and employers’ interests, “ethno(techno)cracy.” In my short stay, there also was life on the coast – far more fluid, fragrant, and propitious than Prague’s nervous post-socialist tic.
And yet, Prague and Gorizia are not opposites. They are two faces of an engagement in public and university life that aims to reshape society. I have experienced Václav several times outside of these two worlds or on the road between them. It would be naïve to think that a person is more himself when he is outside of the public realm. Václav Bělohradský lives the public and university life; without them, he is inconceivable as a person. At the same time, you cannot say that he does not talk about himself in these arenas. He does far more often than the great majority of academics. Society of Uneasiness is about emotions – which he repeatedly described as his own. Nevertheless, meeting Václav outside and between these worlds is a special experience that opens up new dimensions of his personality where slowness can reign over movement and action, observation over the need to form and formulate, childhood and old age over adulthood. The Chinese would perhaps call it a space for yin energy. The trip and the commute between Italy and Prague (and France and Germany before that) would seem to have created a space for slowing down and defocusing, while being present in his place of work creates the need for movement and focus. Perhaps even uneasiness (discomfort) contains within it a certain comfort in this sense.





01.01.2010

Comments

There are currently no comments.

Add new comment

Recommended articles

Terminator vs. Avatar: Notes on Accelerationism Terminator vs. Avatar: Notes on Accelerationism
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy
Goff & Rosenthal gallery, Berlin, November 18 - December 30, 2006 Society permanently renegotiates the definition of drugs and our relationship towards them. In his forty-five minute found-footage film The Conquest of Happiness, produced in 2005, Oliver Pietsch, a Berlin-based video artist, demonstrates which drugs society can accommodate, which it cannot, and how the story of the drugs can be…
Nick Land – An Experiment in Inhumanism Nick Land – An Experiment in Inhumanism
Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.
04.02.2020 10:17
Where to go next?
out - archeology
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
Josef Jindrák
Who is S.d.Ch? A person of many interests, active in various fields—literature, theater—known for his comics and collages in the art field. A poet and playwright foremost. A loner by nature and determination, his work doesn’t meet the current trends. He always puts forth personal enunciation, although its inner structure can get very complicated. It’s pleasant that he is a normal person and a…
Read more...
out - poetry
THC Review and the Condemned Past
THC Review and the Condemned Past
Ivan Mečl
We are the fifth global party! Pítr Dragota and Viki Shock, Fragmenty geniality / Fragments of Charisma, May and June 1997. When Viki came to visit, it was only to show me some drawings and collages. It was only as an afterthought that he showed me the Czech samizdat publication from the late 1990s, THC Review. When he saw how it fascinated me, he panicked and insisted that THAT creation is…
Read more...
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Read more...
birthing pains
Who’s Afraid of Motherhood?
Who’s Afraid of Motherhood?
Zuzana Štefková
Expanding the definition of “mother” is also a space for reducing pressure and for potential liberation.1 Carol Stabile The year was 2003, and in the deep forests of Lapák in the Kladno area, a woman in the later phase of pregnancy stopped along the path. As part of the “Artists in the Woods” exhibit, passers-by could catch a glimpse of her round belly, which she exposed especially for them in…
Read more...
Books, video, editions and artworks that might interest you Go to e-shop
Ibra Ibrahimovic: Hnědouhelný povrchový důl Československé Armády, 2008, 225 x 150 cm, print on vinyl
More info...
580 EUR
598 USD
print on durable film, 250 x 139 cm, 2011 / signed by artist and numbered from edition of ten
More info...
799,20 EUR
824 USD
"Absolutely essential, and most likely one of crowning jewels in the post-industrial underground."
More info...
12 EUR
12 USD
1996, 35.5 x 28 cm, Painting on Paper
More info...
445,20 EUR
459 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Citation of the day. Publisher is not liable for any mental and physical states which may arise after reading the quote.

Enlightenment is always late.
CONTACTS AND VISITOR INFORMATION The entire editorial staff contacts

DIVUS BERLIN
at ZWITSCHERMASCHINE
Potsdamer Str. 161
10783 Berlin, Germany
berlin@divus.cz

 

Open Wednesday to Sunday 2 - 7 pm

 

Ivan Mečl
ivan@divus.cz, +49 (0) 1512 9088 150

DIVUS LONDON
Enclave 5, 50 Resolution Way
London SE8 4AL, United Kingdom
news@divus.org.uk, +44 (0)7583 392144
Open Wednesday to Saturday 12 – 6 pm.

 

DIVUS PRAHA
Bubenská 1, 170 00 Praha 7, Czech Republic
divus@divus.cz, +420 245 006 420

Open daily except Sundays from 11am to 10pm

 

DIVUS WIEN
wien@divus.cz

DIVUS MEXICO CITY
mexico@divus.cz

DIVUS BARCELONA
barcelona@divus.cz
DIVUS MOSCOW & MINSK
alena@divus.cz

DIVUS NEWSLETTER SUBSCRIPTION
Divus New book by I.M.Jirous in English at our online bookshop.