Umělec 1/2012 | List of all editions. | ||||
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."
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"In the best dictatorial tradition, Mugabe lives holed up in his luxurious urban palace in Harare. At night, the street leading past the giant property with the high wall and thick barbed wire is closed to traffic. During the day, people are allowed to drive down this important road and past the heavily guarded house. But woe to those who stop! Or take pictures! More than a few people have ended up dead as a result."
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Fritz Lang’s oceanic journey in the autumn of 1924 culminates in the same way as for many immigrants before him: with a view of the Statue of Liberty and the Manhattan skyline – in other words, the future. Starting from this point in space and time, Jan Wollner goes in search of the origins of the architectural aesthetics of Lang’s most famous film, Metropolis.
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A Murder in Flatland: The Irruption of the Real in American Abstract Art
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contemporartism
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Douglas Dix
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American history is filled with stories about how to hide chauvinism and expansion behind lofty ideals of inevitable fate, of a manifest destiny to settle paradise; how to endlessly, shamelessly, and by force expand the boundaries of one’s garden. Joyce Hatto, too, had a nearly unbounded approach to reality, making nearly 120 recordings of piano concerts in her life. One of England’s greatest female pianists – or maybe not?
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An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
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