Umělec 1/2006 Lista de todas las ediciones
Revista Umělec
Ročník 2006, 1
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Artículos

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A Dinner with Olaf Oliver Kielmayer | Entrevista | 01.01.2006
A DINNER WITH OLAF
Oliver Kielmayer speaks with Olaf Breuning Why didn’t you attend the opening of the Biennale in Prague? I had a production in New York that occupied all my time. For three months I was involved in a new exhibition in the gallery Chisenhale. It was my first important exhibition in London on such a large scale. What did you show in Chisenhale? Most people expected multi-media work with sound…
Of Slums from Buenos Aires Gabriela Francone | info | 01.01.2006
OF SLUMS FROM BUENOS AIRES
SWEET TABOOS in Tirana – 3rd Tirana Biennale Alban Muja | info | 01.01.2006
SWEET TABOOS IN TIRANA – 3RD TIRANA BIENNALE
Conceptually, the Tirana Biennale was billed as an exploration of taboos in contemporary society with an effort to test them artistically using an Albanian backdrop. Practically, this international festival of exhibitions appears as a masterpiece of what people can do on a shoestring. Perhaps it is the very absence of massive external cultural financing that this show could be the creative…
Global Locality Magdalena Ujma, Joanna Zielińska | info | 01.01.2006
GLOBAL LOCALITY
9th Istanbul Biennial, Antrepo No. 5, September 16 – October 30, 2005 The ninth Istanbul Biennial was shaped by two curators: Charles Esche and Vasif Kortun. The former is an art critic who used to run the Tramway Gallery in Glasgow and currently serves as director of the Van Abbemuseum in Eindhoven. The latter comes from Turkey but has lived in the United States for a long time; where he was…
For or About - Or a Question: Who am I? Alina Serban | info | 01.01.2006
FOR OR ABOUT - OR A QUESTION: WHO AM I?
I digress upon a pressing question: Who am I? When discussing the most recent Istanbul Biennial, there are manifold reasons to ask. Not only does the question introduce the issue of local identity and critical regionalism; in a deeper sense, it addresses the transgression process of cultural forms, and the borderless situation in which these forms appear and co-exist. A hallmark of current…
Beware! Politics! – We All Used to Love Political Art Alena Boika | info | 01.01.2006
BEWARE! POLITICS! – WE ALL USED TO LOVE POLITICAL ART
Spunk Seipel | commentary | 01.01.2006
TRENDS
The art scene is a strange, fickle thing. Almost every year a new trend is proclaimed as if wanting to outdo the tempo of the fashion world flux. The one admired is the one who first spots a new trend which has to be exploited as quickly as possible, and which we have to abandon before it becomes assimilated – in order not to become outdated. Those who yesterday were considered Becher’s proteges …
Artists in Wonderland Tony Ozuna | commentary | 01.01.2006
ARTISTS IN WONDERLAND
A few years ago (Issue 3/2003), Umelec dedicated an issue to the theme, “The End of the Fairy Tale,” and in his essay “End of the Fairy Tale (between the fairy tale and Václav Stratil),” Jiří Ptáček took the English children’s story-teller Lewis Carroll to task for needing a magical mirror, the looking glass, to permit little Alice to enter a fairy tale land beyond her mundane reality. Ptáček…
Francis Alÿs: Politics of a Process Zuzana Štefková | Entrevista | 01.01.2006
FRANCIS ALŸS: POLITICS OF A PROCESS
“Boredom, curiosity and vanity.” These are the three things that brought Belgian artist Francis Al˙s (born 1959) to art. It was a coincidence that took him away from his previous profession as an architect. He says his work, which crosses the borders of single art fields, styles and techniques, stems from his own ignorance. Since Al˙s was never educated in any particular artistic field, he…
Don’t be alone; Publish Alone! Jiří Ptáček | rozhovor | 01.01.2006
DON’T BE ALONE; PUBLISH ALONE!
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