Umělec 2003/1 >> One Ride to Zorilor Просмотр всех номеров
One Ride to Zorilor
Журнал Umělec
Год 2003, 1
6,50 EUR
7 USD
Послать печатную версию номера:
Получить подписку

One Ride to Zorilor

Umělec 2003/1

01.01.2003

Jiří Havlíček | news | en cs

Reportage from a study abroad stay in Romania

Where ever you look once, it is nearly the same. Nor can you change much. You once told someone similar stories, or you definitely already heard them somewhere before. This one’s about a little girl who’s always asking questions, but she only receives answers that apparently have nothing to do with the question, at least not in the standard meaning of the words. After some time the little girl is uncertain whether she understands nobody or nobody understands her, so she decides to leave the city. It’s her first time outside the city. She stands in the forest and suddenly has the feeling that she’s lost her hearing, because she hears nothing. It’s quiet. The story goes on, but how it ends I don’t know. It’s not a Romanian story, allegedly it’s a Dutch fairytale, but it’s not certain.
We are in Cluj, where you meet quite a few dogs in the street. Some of them have their favorite places and you can greet them every day, others just wander through the city. They secretly spy on you, with carelessly hidden trust in their eyes, but usually they won’t take food from you, or from the locals. Their interest lies elsewhere. After careful encounters you are immediately more clear, and the original hesitation immediately changes into open friendship. The best is under the chin (scratching) and behind the ears (caressing) and even that bite (into the calf) you take at the end almost as an honor, as you should be grateful to someone.
They accommodated us at one of the many housing estates, in a building with a wrecked ground floor and an unfinished facade. A bigger surprise awaited us inside. The attempt at western standards had not entirely worked out (the shower corner after two weeks had expanded into the whole bathroom, including the toilet), however the result was above average, even for our circumstances. Visiting the Academia de Arte Vizuale “Ioan Andreescu” was finally confirmed as being a good choice as we confronted the uncompromising esthetics of big black mounts, thoroughly advocated in the photo-video studio. Through assimilation (one such photograph we glued to the wall of our room), we rather successfully put up with this type of esthetics for our entire stay.
Romanian architecture with its strange decorativeness and segmentation somewhat resembles sets from sci-fi films of the silent era. Dada-byzanc. In one place the housing estate even gradually transformed into a huge cemetery, with even the grave of Ana Pop, despite the fact that she is still alive and lives in the same house where I heard the story about the little girl, only in the next entrance, where you can easily get lost. I sat on the sofa, in a flat in the middle of this sci-fi town and listened. It resembled the flat of my grandmother from my father’s side.
This similar panel building gloominess invisibly changing into coziness. Between the kitchen sink and table there were about thirty centimeters of space, enough to comfortably pass through (sideways). In the kitchen the window, with a perfect view to the panel building across the way, a slightly darker entrance hall, full of built-in cases to the ceiling and a smell that persistently evoked something round, yellowish, lacquered and flaking. A kind of madeleine in a cup of tea, according to Proust, whom we could not finish reading in Romania. This was not lost time, but I did not feel like looking for it.
The theory that a bus ticket for 15,000 lei (for two rides, necessary to use both ends) is at the same time a ticket for two people to the local opera in the end proved wrong and probably too utopian. Buses looked similar to the French ones from the fifties (probably they really were French buses from the fifties), and as opposed to the local ones, had soft padded seats and wallpaper with a soft pattern on the ceiling. Such carefully maintained exhibits from the technical museum, not lacking an elegance and charm. They belonged among the favorite. You would not even meet the ticket inspector there that often, compared to those square wood-chip seats that you could ride, for example, to Zorilor.




Комментарии

Статья не была прокомментирована

Добавить новый комментарий

Рекомендуемые статьи

Le Dernier Cri and the black penis of Marseille Le Dernier Cri and the black penis of Marseille
We’re constantly hearing that someone would like to do some joint project, organize something together, some event, but… damn, how to put it... we really like what you’re doing but it might piss someone off back home. Sure, it’s true that every now and then someone gets kicked out of this institution or that institute for organizing something with Divus, but weren’t they actually terribly self…
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…
Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy
Goff & Rosenthal gallery, Berlin, November 18 - December 30, 2006 Society permanently renegotiates the definition of drugs and our relationship towards them. In his forty-five minute found-footage film The Conquest of Happiness, produced in 2005, Oliver Pietsch, a Berlin-based video artist, demonstrates which drugs society can accommodate, which it cannot, and how the story of the drugs can be…
Wicked / Interview with Jim Hollands Wicked / Interview with Jim Hollands
“A person must shake someone’s hand three times while gazing intently into their eyes. That’s the key to memorizing their name with certainty. It is in this way that I’ve remembered the names of 5,000 people who have been to the Horse Hospital,” Jim Hollands told me. Hollands is an experimental filmmaker, musician and curator. In his childhood, he suffered through tough social situations and…
04.02.2020 10:17
Следующий шаг?
out - archeology
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
S.d.Ch, Solitaires and Periphery Culture (a generation born around 1970)
Josef Jindrák
Who is S.d.Ch? A person of many interests, active in various fields—literature, theater—known for his comics and collages in the art field. A poet and playwright foremost. A loner by nature and determination, his work doesn’t meet the current trends. He always puts forth personal enunciation, although its inner structure can get very complicated. It’s pleasant that he is a normal person and a…
Читать дальше...
out - poetry
THC Review and the Condemned Past
THC Review and the Condemned Past
Ivan Mečl
We are the fifth global party! Pítr Dragota and Viki Shock, Fragmenty geniality / Fragments of Charisma, May and June 1997. When Viki came to visit, it was only to show me some drawings and collages. It was only as an afterthought that he showed me the Czech samizdat publication from the late 1990s, THC Review. When he saw how it fascinated me, he panicked and insisted that THAT creation is…
Читать дальше...
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Читать дальше...
birthing pains
Who’s Afraid of Motherhood?
Who’s Afraid of Motherhood?
Zuzana Štefková
Expanding the definition of “mother” is also a space for reducing pressure and for potential liberation.1 Carol Stabile The year was 2003, and in the deep forests of Lapák in the Kladno area, a woman in the later phase of pregnancy stopped along the path. As part of the “Artists in the Woods” exhibit, passers-by could catch a glimpse of her round belly, which she exposed especially for them in…
Читать дальше...
Knihy, multimédia a umělecká díla, která by vás mohla zajímat Войти в e-shop
"Musíme mít právo nemít rády muže. Chápu, že to zní krutě ale musíme mít možnost je nemilovat jako celek ale udělat vyjímku u...
Больше информации...
9 EUR
10 USD
Falling Stairway, 1991, acrylic painting on canvas, 122 x 99 cm, on frame
Больше информации...
3 200 EUR
3 482 USD
From series of rare photographs never released before year 2012. Signed and numbered Edition. Photography on 1cm high white...
Больше информации...
220 EUR
239 USD
Daniil Kharms:, A Shortish Gent, The Carpenter Kushakov, The Plummeting Old Women, , Daniil Kharms & Alexander...
Больше информации...
11,67 EUR
13 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Цитата дня Издатель не несет ответственности за какие-либо психические и физические состояния и расстройства, которые могут возникнуть по прочтении цитаты.

Enlightenment is always late.
KONTAKTY A INFORMACE PRO NÁVŠTĚVNÍKY Celé kontakty redakce

DIVUS BERLIN
at ZWITSCHERMASCHINE
Potsdamer Str. 161
10783 Berlin, Germany
berlin@divus.cz

 

Open Wednesday to Sunday 2 - 7 pm

 

Ivan Mečl
ivan@divus.cz, +49 (0) 1512 9088 150

DIVUS LONDON
Enclave 5, 50 Resolution Way
London SE8 4AL, United Kingdom
news@divus.org.uk, +44 (0)7583 392144
Open Wednesday to Saturday 12 – 6 pm.

 

DIVUS PRAHA
Bubenská 1, 170 00 Praha 7, Czech Republic
divus@divus.cz, +420 245 006 420

Open daily except Sundays from 11am to 10pm

 

DIVUS WIEN
wien@divus.cz

DIVUS MEXICO CITY
mexico@divus.cz

DIVUS BARCELONA
barcelona@divus.cz
DIVUS MOSCOW & MINSK
alena@divus.cz

NOVINY Z DIVUSU DO MAILU
Divus New book by I.M.Jirous in English at our online bookshop.