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Art and the “Big Corporation” (An interview with art critic Frank Perrin) Anaid Demir | paris | 01.01.2002
ART AND THE “BIG CORPORATION” (AN INTERVIEW WITH ART CRITIC FRANK PERRIN)
"An uneasy economic and artistic situation reigned in 1992 when art critics Frank Perrin and Armelle Leturcq decided to launch their revue Bloc Notes, which became one of the pivotal young magazines devoted to contemporary French art. In 1998, the same duo took over the reins of the magazine Crash, which folds all the art disciplines, from music to art to fashion, into one uniform package. At a…
Meste, Manet, Marcos & Co. (Philippe Meste) Supplement to a Program of Global Mutation in the State of Prevailing Misery That Constitutes Our Time. Frank Perrin | paris | 01.01.2002
MESTE, MANET, MARCOS & CO. (PHILIPPE MESTE) SUPPLEMENT TO A PROGRAM OF GLOBAL MUTATION IN THE STATE OF PREVAILING MISERY THAT CONSTITUTES OUR TIME.
"1997: In the hypermarket equipped with artistic attitudes and services of all kind, in the department of marked-down performances, promotional hangings and departmental directors focused on their coming programs, what sort of event are we still capable of? What are we the bearers of? The cashier watches contempt and dismay. They call themselves artists. They will enter a new millennium and do…
Luděk Rádl | paris | 01.04.1998
ANTON WELLER GALLERY
Luděk Rádl | paris | 01.03.1998
FROM THE TIMES OF THE MACHINE TO THE TIMES OF LIFE
In August last year, a House of Japanese Culture was open on the Branly Embankment in Paris doing justice to centuries of European interest in this exotic environment. Currently shown here is a retrospective of Kiso Kurokawa, an architect. Presentation of dozens of drawings, projects and photographs is an extraordinary experience in itself. The exhibition is called Thinking in Symbiosis with a…
Luděk Rádl | paris | 01.03.1998
VISIONS DU NORD
Curators of the Visions du nord exhibition in Paris headed by Suzanne Pagé focused on the entire Nordic region from Island to Finland, presenting French audience with a vast collection of works divided into three parts and accompanied by concerts, lectures, films and discussions.The Light of the World, the Light of HeavenI was shocked by work of Akselli Gallen-Kallela. I’ve never heard of this…
Luděk Rádl | paris | 01.02.1998
TOMFOOLERY WIDGETS AND PARIS GALLERY

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Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.
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James B.L. Hollands: I live in fear of houses
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