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	Maja a Reuben Fowkes \| study \| 01.01.2006
	INDIE ART AND THE SEVENTIES
	‘You could have it so much better.’ (Franz Ferdinand) There are a number of reasons for reconsidering the art of the 1970s at this particular moment. The exemplary artist Marina Abramović has just re-enacted seven key performances from the 60s and 70s at the Guggenheim Museum New York during November 2005. “Seven Easy Pieces” consisted of Bruce Nauman’s Body Pressure (1974), Vito Acconci’s…

	Mihnea Mircan \| study \| 01.03.2005
	NOT THAT PAINTING, THE OTHER ONE
	The exhibition at Bucharest’s new Museum of Contemporary Art, The Painting Museum, is a study of the portraits and styles of portraiture associated with Romania’s Communist dictator Nicolae Ceauşescu, and depictions of socialist progress. Never seen juxtaposed outside their original context, these paintings—presented in a panoply of styles inside an edifice that formerly served as Ceauşescu’s…

	Lenka Klodová \| study \| 01.01.2005
	AUTHENTICALLY LIVED STEREOTYPES: THE HIDDEN PHENOMENON OF MARRIAGE ART
	I am fascinated by the performances of Wladyslaw Kazmierczak and Ewa Rybska. Their many presentations are different, they are mostly political with poetic delivery of their subject matter, but I’m interested in them all in one particular way. When I see a middle-aged man and woman in tuxedos standing next to each other, I feel a strange tension emanating. Couples make me nervous, after all—much…

	Tony Ozuna \| study \| 01.04.2004
	THE BLURRED IMAGE
	My grandfather was already in his 50s when he first started to take pictures. He only photographed crowds—anonymous faces at high school football games, boxing or masked Mexican wrestling matches at the Olympic Auditorium in downtown L.A. I was his little companion at these events, yet I never even noticed that he was snapping away at faces in the audience, while I was watching Mil Mascaras (the…

	Cosmin Costinas \| study \| 01.03.2004
	NEW FETISHISMS
	A New Generation in Romanian Contemporary Art The most visible phenomenon on the Romanian contemporary art scene is the occurrence after the year 2000 of a seemingly homogenous young generation, between the ages of twenty and thirty. Indeed, this generation is currently engaged in an active process of defining itself as a group, as a “young generation,” with all associated implications. However…

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04.02.2020 10:17

Slavka Kneppo:

Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.

Star Wars, I.

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James B.L. Hollands: I live in fear of houses

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DIVUS PARIS: Mike Diana & Stu Mead : America's Most Wanted

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Books & Magazines / Art

Louise Mot: Louise Mot

Louise Mot: Louise Mot

This catalogue for an exhibition by curator and painter Tomáš Lahoda called "Beauty, thy name is… L. Mot" introduces an...

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Art & Editions / Autopsia

Autopsia poster from Weltuntergang Show: TEchnOLOGY (2)

Autopsia poster from Weltuntergang Show: TEchnOLOGY (2)

Limited edition of 10. Size 100 x 70 cm. Black print on durable white foil.

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Art & Editions / Art & Editions

Stu Mead: Clown‘s Suicide

Stu Mead: Clown‘s Suicide

Clown‘s Suicide, 1995, silkscreen print, 33 x 46 cm

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Art & Editions / Art & Editions

Stu Mead: Gold Upstairs, Red Downstairs

Stu Mead: Gold Upstairs, Red Downstairs

Gold Upstairs, Red Downstairs, 1998, acrylic painting on canvas, 73 x 36 cm, on frame

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