Umělec 3/1998 Просмотр всех номеров
Журнал Umělec
Ročník 1998, 3
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Markéta Othová | art project | 01.03.1998
MARKÉTA OTHOVÁ
Markéta Othová (born in 1968) is artist
Lenka Lindaurová | q&a | 01.03.1998
THE SECOND PROVISIONAL (INTERVIEW WITH JIŘÍ GREGOR, THE DESIGNATED DIRECTOR OF THE NATIONAL GALLERY’S MODERN AND CONTEMPORARY ART COLLECTION AT VELETRŽNÍ PALÁC)
Since 1995, Gregor has worked as a deputy technical manager. After Jiří Ševčík was dismissed from the position of the Palace’s director, Gregor worked as designated director for the first time. He found himself in the same position in April, after director Jaroslav Anděl was dismissed.Are you going to explain some of the differences in economic results as presented by the National Gallery’s…
Jiří David | theory | 01.03.1998
ON THE FAR SHORE
Pavla Niklová | news | 01.03.1998
INTERVIEW WITH DENNIS ELLIOT (DIRECTOR, INTERNATIONAL STUDIO PROGRAM, NYC)
The Soros Center for Contemporary Art Prague (SCCA Prague) has started an International Exchange/Residency Program for visual artists from the Czech Republic and abroad. This year, the Center has established collaboration with the International Studio Program (ISP) in New York City through which two Czech artists will have the possibility to participate in three-month residencies at ISP. I asked…
Luděk Rádl | paris | 01.03.1998
VISIONS DU NORD
Curators of the Visions du nord exhibition in Paris headed by Suzanne Pagé focused on the entire Nordic region from Island to Finland, presenting French audience with a vast collection of works divided into three parts and accompanied by concerts, lectures, films and discussions.The Light of the World, the Light of HeavenI was shocked by work of Akselli Gallen-Kallela. I’ve never heard of this…
Luděk Rádl | paris | 01.03.1998
FROM THE TIMES OF THE MACHINE TO THE TIMES OF LIFE
In August last year, a House of Japanese Culture was open on the Branly Embankment in Paris doing justice to centuries of European interest in this exotic environment. Currently shown here is a retrospective of Kiso Kurokawa, an architect. Presentation of dozens of drawings, projects and photographs is an extraordinary experience in itself. The exhibition is called Thinking in Symbiosis with a…
Satan’s and Other Art in Istanbul Tomáš Pospiszyl | turkey | 01.03.1998
SATAN’S AND OTHER ART IN ISTANBUL
"Considering responses to my last article in the Artist magazine dealing with touristic criticism and despite my critical rejection of this type of critique, I have decided to continue in this direction. Having spent three days in Istanbul, I feel ready to write an article on contemporary Turkish art. I have to admit, however, that I had read something about Turkish art in advance and I know…
Five Reflections About Boredom Arno Victor Nielsen | focus | 01.03.1998
FIVE REFLECTIONS ABOUT BOREDOM
George Gessert | artist | 01.03.1998
A PLAY ON ART: ART BOOK
It is not immediately apparent that all of David Stairs’ artists’ books were done by the same person. Automatic Ambiance is in the form of long black-and-white photostrips, and documents a night spent in a photobooth. Tactical Aesthetics has a conventional format. Pages of text alternate with full-page color photographs of dioramas. In one diorama, toy soldiers march through a plate of blintzes.…
For Pleasure, Against the Government Vladan Šír | focus | 01.03.1998
FOR PLEASURE, AGAINST THE GOVERNMENT
The end of March saw opening of the Art Car Museum in Houston, Texas. Originally an antique warehouse now looks like a Byzantine cathedral with domes and mosques. The roof shines with chrome and is decorated with car parts, components and a big red star.Designed by well-known American car artist David Best, the Museum immediately suggests that what the visitor finds inside is no Picasso or a…
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