Umělec 2004/4 >> Editorial Просмотр всех номеров
Журнал Umělec
Год 2004, 4
6,50 EUR
7 USD
Послать печатную версию номера:
Получить подписку

Editorial

Umělec 2004/4

01.04.2004

Ivan Mečl | editorial | en cs

Belarus is, along with Luxembourg, one of the least known countries in Europe. Luxembourg is the destination of order-loving retired people from the West, Belarus for Russian ones. Both countries provide the same amount of opportunities to have fun. Belarus is like traveling with a time machine—one that won’t bring you back very far, but you can be sure of going back a good thirty years. The situation is similar to how it was in the Socialist East Germany or Czechoslovakia of the 80s. Most Belarusians are order-loving and proper like the Germans, and reserved and withdrawn like the Czechs. Society is little divided by class and the social divisions are more like small groups of children that don’t speak with each other. Intellectuals, artists and educated people are slowly disappearing. Some of them have already left the country and many others are preparing to do so. The opposition is desperate in every sense of the word. Only those who never misbehave can feel secure in Belarus.
In Belarus, contemporary art, or anything else with an ambiguous meaning, is not allowed. Malevich and Lukashenko are a specter and an inspiration to Belarusian art. Malevich is the greatest non-living contemporary artist and Lukashenko the last living European dictator. Both leave a deep rut in their wake—one that is easy to fall into. Unlike Fukuyama, most Belarusian artists think that history ended with Malevich’s death. They love art history and they like to make fun of it in their work or misuse it in many other ways. The Belarusian people have a strange, unhealthy relationship with Lukashenko. There is a sexual undercurrent. Let’s hope that when this masochistic deviation blows over, his palace will be turned into a gallery of contemporary art like Ceauşescu’s was in Romania. Due to the difficulty in verifying information, in the last ten years the highest number of media clichés have been written about Belarus. It is hard for foreigners even to get there, let alone to learn something once there. The materials for this issue were prepared directly in Belarus.





Комментарии

Статья не была прокомментирована

Добавить новый комментарий

Рекомендуемые статьи

An unsuccessful co-production An unsuccessful co-production
If you know your way around, you might discover that every month and maybe even every week you stand the chance to receive money for your cultural project. Successful applicants have enough money, average applicants have enough to keep their mouths shut, and the unsuccessful ones are kept in check by the chance that they might get lucky in the future. One natural result has been the emergence of…
My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
Contents 2016/1 Contents 2016/1
Contents of the new issue.
MIKROB MIKROB
There’s 130 kilos of fat, muscles, brain & raw power on the Serbian contemporary art scene, all molded together into a 175-cm tall, 44-year-old body. It’s owner is known by a countless number of different names, including Bamboo, Mexican, Groom, Big Pain in the Ass, but most of all he’s known as MICROBE!… Hero of the losers, fighter for the rights of the dispossessed, folk artist, entertainer…